Panaghiotis
Adam
Thomas
Mace’s Musick’s Monument.
A 17th century instruction manual
[issue
2]
Mode,
subject and answer in renaissance polyphony
[issue
5]
Minas
I. Alexiadis
The
forbidden music-theatre: operas and composers in the shadow of
Nazism (Congress
contribution)
[issue
15]
Nikos
Andrikos
The
ecclesiastical music production in 20th-century Lesvos: a historical
– stylistic approach
(Congress
contribution)
[issue
18]
Evdoxia
Angelidou
Charikleia
Tsokani, Medusa’s Cry (Book review)
[issue
13]
Thimios Atzakas
Taksim: continuity and transformation.
Historical retrospections, commentaries and
reflections on the makam
“performance-generated” composition (Musical practice)
[issue
31]
Dimitrios
Balageorgos
Hymnopsaltics
of the Holy Week
[issue
2]
Alexandros Baltzis
Critical theory in the new conditions of cultural production
[issue
33-34]
Maria
Barbaki
“Music
companies”, wind orchestras in late 19th century Athens
[issue
6]
Rachel
Beckles Willson
A
project in flux: Tracing lines, heterogeneities, and interactions
[issue
26]
Yannis
Belonis
Manolis
Kalomiris and Nikos Skalkottas
[issue
1]
Manolis
Kalomiris and the dark side of the German Occupation and Civil War
period
[issue
4]
The
chamber music until the middle of the 20th century in Greece
[issue
11]
Dimitri
Mitropoulos’
Lonesome Passage to Modern Music
(“Transitions”)
[issue
12]
The response of music critics to the Greek operetta during the Greek
inter-war period
[issue
35]
Dionysia
Blazaki
Hegel
and Schopenhauer: The abstraction in music
[issue
27]
Irena Bogdanović
Greek melodramatic companies and opera
singers in Odessa before the First World War
(1880-1914)
(Sources)
[issue
24]
Smaragdi
Boura
Abu
Naşr Muhammad al-Fārābī and the ancient Greek
musical heritage
[issue
2]
Nikos
Bubaris
Moving
Sounds: a study on the circulation of music as a cultural object
[issue
15]
Nefeli Chadouli
Mixed forms of sonata and rondo in
the final movements of selected piano trios by
Mendelssohn (opera 49 and 66) and Spohr
(opus 133)
[issue
32]
Achilleus
G. Chaldaeakes
From
the ritual of the Matins service: The imposition of poetic texts
in Polyeleos Chant
[issue
11]
Evangelia Chaldaiaki
Orality and literacy in the Ottoman
music: The role of non-Muslim musicians on developing
and using musical notation systems
(Presentation) [issue
28]
Kostas
Chardas
Yorgo
Sicilianos,
On
Music,
Benaki
Museum, Hellenic
Music Centre, Athens 2011
(Book
review) [issue
20]
Alexandros
Charkiolakis
An
unknown testimony by Alekos Xenos about Manolis Kalomiris (Documents)
[issue
10]
Nafsika Chatzichristou
Examination of the Greek classical music and opera audience’s motives
for participation
in live concerts and performances
[issue
29]
Valia
Christopoulou
In
remembrance of Yorgos
Sicilianos (1920-2005) – with a catalogue of his works
(In
memoriam) [issue
6]
Modernism
and Greek Antiquity in the works of Yorgos Sicilianos
[issue
20]
Renata
Dalianoudi
Violin
–
Lute – Guitar as folk instruments in Crete: Tuning – Repertory –
Techniques
(Musical
practice)
[issue
3]
Alexandros Dionatos
The institutions of music education
in the Italian Baroque. Traditional practices and
innovative foundations: Venetian
Ospedali and Neapolitan Conservatorii
[issue
32]
Nikos A. Dontas
Greek
National Opera. From the foundation of the first state-funded opera
company in
Greece
until 1974
[issue
24]
Verdi
at the Greek National Opera during the Period from 1939 to 2010
[issue
25]
Myrto
Economidou
An
unpublished extract from the memoirs of Manolis Kalomiris (Documents)
[issue
10]
George Fitsioris
14th
century:
Ars Nova, the birth of a new art
[issue
33-34]
Eva
Fourlanou
The
Athens Concert Hall: Bridging art and education
[issue
26]
Ioannis Fulias
Presentation
of the journal Musicologia
[Musicology] [issue
1]
George
Zervos, Nikos Skalkottas and the Early
20th Century European Tradition
(Book
review) [issue
2]
George
Zervos, Schönberg, Berg, Webern: The
Crisis of Music through the Crisis of Theme
and
Forms (Book
review) [issue
2]
Georg
Wilhelm Friedrich Hegel, The Aesthetics of Music (Book review)
[issue
2]
Charles
Ives, Essays Before a Sonata (Book review) [issue
2]
A
brief speculation about the principles that rule the chordal progressions
(Music
education)
[issue
3]
George
Fitsioris:
Introduction
in
Theory
and
Analysis
of
Tonal Music
(Book review) [issue
5]
“Antis
gia Oneiro”:
Attempting a restoration and a comprehension of pebbles of the New-
Hellenic
Art Music (Presentation)
[issue
7]
Sonata
forms and their theoretical evolution: The
different sonata types – 18th-century
theorists
(I)
[issue
8]
Sonata
forms and their theoretical evolution: 18th-century theorists (II)
[issue
9]
Sonata
forms and their theoretical evolution: 18th century theorists (III)
[issue
10]
Sonata
forms and their theoretical evolution: 19th-century theorists (I)
[issue
11]
Sonata
forms and their theoretical evolution: 19th-century theorists (II)
[issue
12]
Sonata
forms and their theoretical evolution: 20th-century theorists (I) [issue
13]
Vassilis
Mitropoulos, The technique of melody harmonization (Book review)
[issue
13]
Sonata
forms and their theoretical evolution: 20th-century theorists (II)
[issue
14]
Sonata
forms and their theoretical evolution: 20th-century theorists (III)
[issue
15]
Sonata
forms and their theoretical evolution: Concluding remarks on the
first three sonata
types
– The contribution of Sonata Theory by Hepokoski and Darcy to the
current
scientific
debate [issue
16]
Sonata
forms and their theoretical evolution:
The fourth sonata type (“sonata-rondo”) and
other
related forms
[issue
17]
Sonata forms and their theoretical
evolution:
The fifth sonata type (“sonata-concerto
form”)
in 18th- and 19th-century theory
[issue
18]
Sonata forms and their theoretical evolution: The fifth
sonata type (“sonata-concerto
form”)
in the 20th-century
theory and nowadays
[issue
19]
New
editions of catalogues of works by Greek composers:
•
Maria Ntourou (ed.), Yannis A. Papaioannou: Complete catalogue of
works – Third
edition,
Institute of Research on Music & Acoustics – Philippos Nakas,
Athens 2010 &
•
Valia Christopoulou, Catalogue of the works of Yorgos Sicilianos,
Panas Music (Greek
Musicological
Editions, vol. 12), Athens 2011 (Book review) [issue
19]
The
birth and the evolution of a composer: Dimitri Mitropoulos in 1910s
(Congress
contribution)
[issue
20]
Kostas
Kardamis (ed.), Spyridon-Filiskos
Samaras. An
homage for the 150 years since his
birth,
Corfu
Philharmonic Society (Publications of the Music Museum
“Nikolaos
Halikiopoulos
Mantzaros”,
Studies 2), Corfu 2011
(Book
review) [issue
20]
The
music of Ludwig van Beethoven through Heinrich Birnbach’s first
essays on musical form
(1827-1829)
[issue
21]
Dimitri
Mitropoulos and the Greek National School of Music
[issue
23]
The four piano concertos of Xaver Scharwenka.
A contribution to the examination of the
concerto genre during the late romantic period
(Part I) [issue
29]
The four piano concertos of Xaver Scharwenka.
A contribution to the examination of the
concerto genre during the late romantic period
(Part II) [issue
30]
Rena Kyriakou’s Concerto for Piano and
Orchestra, opus 18: its history, a first analytical
approach, a critical re-evaluation and
an attempt to place the work among the Greek
art music creation [issue
31]
Anton Reicha and the first systematisation of music forms in the
19th century
[issue
33-34]
Alain Gedovius
Dimitris Levidis: Gleanings from Le Journal
de ma Vie [The diary of my life]
(Part I)
(Documents) [issue
28]
Dimitris Levidis: Gleanings from Le Journal
de ma Vie [The diary of my life]
(Part
ÉI)
(Documents) [issue
29]
Ánastasia
Georgaki
The
metaphysical dimension of the synthetic sung voice in the piece
Mortuos Plango – vivos
voco
(J. Harvey, 1981)
[issue
4]
Towards a classification of visual
sound in 20th-century art: From color sequence to
interactive visual music
(Presentation) [issue
28]
Sokratis
Georgiadis
Compositional
thought and cadential structures in early and middle Renaissance
polyphony:
Fishing
in troubled waters
[issue
27]
Nicolae
Gheorghiţă
Dionysios
Photeinos: The Anastasimatarion
[issue
16]
Ilias
Giannopoulos
Judit
Alsmeier, Komponieren mit Tönen (Book review) [issue
11]
Leontios
Hadjileontiadis
The
Strychnine Lady
(1967) of Jani Christou. Relations, analogies and differentiations
with
the
European and American Experimental Music Theatre of the decades of
1960 and
1970
[issue
17]
Anastasios
Hapsoulas
Western
art music and Greek music education: Crisis and prospects
[issue
26]
George
Hatzinikos
Music
in society. Musical education in Greece (Music education)
[issue
4]
Dimitris
Kabolis
Arvanitic songs in the public sphere:
Issues of music policy
[issue
22]
Anastasia
Kakaroglou
Louis-Albert
Bourgault-Ducoudray’s “Le
carnaval d’Athènes” (Rare
editions) [issue
8]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (I)
(Rare
pages on Greek music)
[issue
12]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (II)
(Rare
pages on Greek music)
[issue
13]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (III)
(Rare
pages on Greek music)
[issue
14]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte
(IV)
(Rare
pages on Greek music)
[issue
15]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte
(V)
(Rare
pages on Greek music)
[issue
16]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte
(VI)
(Rare
pages on Greek music)
[issue
17]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte
(VII –
final)
(Rare
pages on Greek music)
[issue
18]
Vasileios
Kalagkias
Form
and technique in Wolfgang Amadeus Mozart’s independent sets of
variations for
keyboard
(Part I)
[issue
27]
Form and technique in Wolfgang Amadeus Mozart’s independent sets of
variations for
keyboard (Part II)
[issue
28]
Alexia
Kallergi-Panopoulou
Private
conservatories and music schools in Greece: A comparative study of
the principal
institutions
of music education during the economic crisis
[issue
26]
Stathis
Kallianos
The
unanswered (?) question or about counterpoint (Music
education)
[issue
2]
Vasilis
Kallis
Modes
of Cross-Scalar Interaction in Twentieth Century Music
[issue
20]
Takis
Kalogeropoulos
The
“Gold Medals” of Athens Conservatory (Commentary)
[issue
2]
Magdalini
Kalopana
Dimitris
Dragatakis (Homage) [issue
1]
Dimitris
Dragatakis: Works’ Catalogue (1914-2001)
[issue
16]
The
Reception of Greek Antiquity in the Music of Dimitris Dragatakis
[issue
20]
Loukia
Karakosta
“The
poet speaks” through violin’s soundpost.
Robert
Schumann’s Violin Concerto:
a
posthumous work
[issue
3]
Theodore Karathodoros
Two-way communication between
composer and performer. The contribution of Lykourgos
Angelopoulos to contemporary art music
(Conference contribution)
[issue
30]
Exploring the structural qualities of Legetos in Dimitri Terzakis’
Legetos for two violins
[issue
33-34]
Kostas Kardamis
The
folkloric element in the opera
The Parliamentary Candidate by Spiridon Xindas
[issue
22]
Spyridon
Xyndas (Spiridione Xinda), Leonidas Alvanas and Some Thoughts
Regarding the Art
Song
in Ionian Islands
[issue
23]
Spiros Samaras’ interventions
regarding the musical matters of Greece (1888-1909)
[issue
30]
Katerina Levidou, Katy Romanou, George
Vlastos (ed.),
Musical Receptions of Greek
Antiquity: From the Romantic Era to Modernism (Cambridge:
Cambridge Scholars
Publishing, 2016) (Book review)
[issue
31]
Pavlos
Kavouras
Western
art music at the time of crisis: An interdisciplinary study of
contemporary Greek
culture
and European integration
[issue
26]
George
Kitsios
Pafsilypon:
A German “Temple
of the Muses” in the Ottoman Ioannina of 1873 (Greek music
archives)
[issue
10]
Êostas
Klavvas
For
a natural approach of harmony rules (Music
education) [issue
2]
Daniel
Koglin
Improvisation
in Greek folk music. The interplay of music and dance in Thrace
[issue
3]
Christos
Kolovos
Chronological
Catalogue of the Konstantinos Kydoniatis’ works (Greek
music archives)
[issue
4]
Miltiades
Caridis; Danzig, 1923 – Athens,
1998. Ten years of absence
(In memoriam)
[issue
14]
Lula
Mafta-Kalogera
(1900-1994); fifteen
years from her death (Commentary)
[issue
15]
Tassos
Kolydas
The
change of the guitar’s repertoire in the early twentieth century
[issue
9]
Sophia
Kompotiati
The
ethnomusicologist Béla
Bartók and
his fieldwork in Turkey. Brief
chronicle of a great
mission
[issue
4]
Antonis I. Konstantinidis
Arithmetics and mathematics in
accordance with the Theory of Chrisanthos (Conference
contribution)
[issue
30]
“Some
privileged ratio by itself, some privileged perception, and some a
combination of the
two”.
The depiction of
music intervals as a timeless search in the theory of Greek music
(Conference contribution) [issue
33-34]
Paris
Konstantinidis
W.
A. Mozart. Fifteen
approaches (Book review) [issue
14]
Sofia Kontossi
The
transition of Greek art song
from
the National School to Modernism (“Transitions”)
[issue
12]
Genuinely Greek, inherently
orientalist or a longing cosmopolitan? Exploring Emilios Riadis’
identities through the song cycle for
voice and piano Neuf petites
mélodies roumies
(Conference
contribution) [issue
33-34]
George
Kontrafouris
Introduction
to jazz harmony (Musical practice) [issue
1]
Apostolos
Kostios
Music
Therapy: Art in the service of science (I)
[issue
15]
Dimitri
Mitropoulos: The contribution of the man and the artist (a different
approach)
[issue
16]
Music
Therapy: Art in the service of science (II)
[issue
16]
Music
Therapy: Art in the service of science (III)
[issue
17]
Dimitris
E. Lekkas
Byzantine
diatonicism: systemic structural approach
[issue
8]
Byzantine
“soft chroma”: a systemic structural approach
[issue
17]
George Leotsakos
Dimitris Levidis: Gleanings from Le Journal
de ma Vie [The diary of my life]
(Part I)
(Documents) [issue
28]
Dimitris Levidis: Gleanings from Le Journal
de ma Vie [The diary of my life]
(Part
ÉI)
(Documents) [issue
29]
Irmgard Lerch-Kalavrytinos
Humour, irony and satire in medieval music
[issue
33-34]
Êaterina
Levidou
Two
Greek Dances by Nikos Skalkottas
[issue
1]
The
Rite of Spring and Russian
tradition: The quest for “Russianness”
[issue
3]
Valérie
Dufour, Stravinski et ses exégètes (1910-1940),
Editions
de l’Université de Bruxelles,
Bruxelles,
2006
(Book review) [issue
18]
Surviving
the crisis: Summer festivals of Western art music in contemporary
Greece
[issue
26]
Festivals
in Greece with Western art music, since 2008 (an indicative
catalogue) [issue
26]
Theodore
Loustas
Distinguished Greek pianists of the past: analytical
discography and concise biographical
information
[issue
18]
Nikolaos Maliaras
Byzantine
Musical Instruments [issue
1]
J.
S. Bach, The Art of the Fugue
[issue
6]
Yannis
Belonis, Chamber
music
in Greece in the first half of the 20th century. The case of
Marios
Varvoglis (1885-1967),
Hellenic Music
Centre, Athens 2012 (Book review)
[issue
21]
Theophrastos Sakellaridis, Perouzé. The revival of an opera
[issue
33-34]
Dionyssis
Mallouhos
Music
critique [issue
2]
Classical
music in Kalamata at the time of the economic crisis
[issue
26]
Katerina
Maniou
The
relationship of Alfred Schnittke to serialism and its application
during the
post-experimental
phases of his work
[issue
27]
Motif and contemporary musical
borrowing material as a means of a new form of thematicism
in Alfred Schnittke’s work
[issue
35]
Giorgos
Manouselis
The Ergon at work: Mapping changes in
the political economy of Western art music through
the case study of the Ergon Ensemble
[issue
26]
Veroniki
Mavriki
The
presence of harmonica in Istanbul, Izmir and in Greece:
Organological and terminological
issues
(Presentation)
[issue
22]
Konstantinos
Mavrogenis
The
Mass super
Aller mi faut la verdure of Franghiskos Leondaritis – A
“Parody Mass” on
two
Polyphonic Models
[issue
25]
Biljana
Milanović
Serbian
Composers of the First Half of the 20th Century and the Inventing of the Balkans
(“Transitions”)
[issue
12]
Melita
Milin
The
Russian Musical Emigration in Yugoslavia after 1917
[issue
6]
From
Communism to Capitalism, via the Wars.
The
Changing Landscape of Serbian Music
(1985-2005)
(“Transitions”)
[issue
12]
Robin
Minard
Sound
Installation Art (Modern
artistic tendencies) [issue
13]
Thanassis
Moraitis
(in
collaboration with Demétrios
Lekkas)
Modality
and polyphony in prehistoric Balkans
[issue
5]
Neoklis
Neofytidis
Causes
and motivations behind Arnold Schoenberg’s arrangements: musical
and extramusical
factors
[issue
6]
Eirini
Nikolaou
Music
education in the works of ancient philosophers (Music education)
[issue
8]
The harmonies
of earlier periods of time in Aristides Quintilianus’ treatise On music
(Presentation) [issue
28]
Panos
Panopoulos
Ēchotropia:
The detection / displacement of acoustic experience in modern sound art
(Modern
artistic tendencies)
[issue
13]
Ioannis
Papachristopoulos
Developmental
stages of Dimitris Terzakis’ composition technique
[issue
17]
Aspects
of the compositional work of Dimitri Terzakis during the last two
decades
[issue
19]
George-Julius
Papadopoulos
Music
as a Performing Art: Reflections on the Metaphysical and Ontological
Status of the
Musical
Work [issue
9]
Kostas
Paparrigopoulos
Xenakis
and the Passage towards Universalism (“Transitions”)
[issue
12]
Chrysi
Parpara
The
attack on Manolis Kalomiris’ work in the periodical Mousika
Chronika (1925, 1928-33);
issues
of Greek music history [issue
10]
Risto
Pekka Pennanen
The
organological development and performance practice of the Greek bouzouki (Part
I)
[issue
14]
The
organological development and performance practice of the Greek
bouzouki (Part ÉÉ)
[issue
15]
Vesna
Sara Peno
The
modern Serbian psaltic practice in the light of the post-Byzantine
psaltic tradition
[issue
21]
Elissavet
Perakaki
The
Cross-Curriculum Program of Studies for Music Education (Music education)
[issue
3]
Efi
Petropoulou
Claude
Debussy through his articles and interviews (Presentation)
[issue
10]
John
Plemmenos
Musical
Instruments in Byzantine Hymnography
[issue
7]
Nick
Poulakis
Daniel
Barenboim –
Edward W. Said: Parallels
and Paradoxes.
Explorations in Music and
Society
(Book review) [issue
10]
Eleni
Kallimopoulou
and
Alexandra Balandina (ed.),
Introduction
to Ethnomusicology, Assini,
Athens
2014
(Book review) [issue
24]
Institutions in crisis? Music ensembles
and cultural organisations in 21st-century Greece
[issue
26]
Panagiotis
Poulos
Listening
to innovation: The case of Tanburi Cemil Bey (1873-1916) in modern
Turkish music
historiography
[issue
7]
Christos
Pouris
Chopin
and the piano in the 19th century
[issue
1]
Stelios
Psaroudakes
Primaeval
aerophones and the doubtful evidence from Dispelio
[issue
2]
Walter Puchner
Greek melodramatic companies and opera
singers in Odessa before the First World War
(1880-1914)
(Sources)
[issue
24]
Mando
Pyliarou
A
Greek tribute to Beethoven in 1927
(Presentation)
[issue
19]
Solon
Raptakis
The
Piano Sonata in Early Romanticism: A Comparative Study of First
Movements from
Piano
Sonatas of the 1820s
[issue
25]
The
Fifth Piano Sonata of Alexander Scriabin: A dialogue with sonata
forms
[issue
27]
Theocharis
Raptis
Lullabies
and their effect on the infants (Music education)
[issue
13]
Anna-Maria
Rentzeperi-Tsonou
M.
Varvoglis, The Afternoon
of Love. Factual elements and shaping of the libretto
[issue
5]
Katy Romanou
Guillaume
de Machaut, the King of Cyprus and La
Prise d’Alixandre
[issue
1]
Notes
on Konstantinos Psachos’ Pythios
Nomos
(Greek
music archives)
[issue
3]
Notes
on Åpi
ton potamon Vavilonos
(Greek
music archives)
[issue
4]
The
comprehension of Heptanesian urban musical culture; a satisfactory
aim
[issue
5]
Notes
on
Nikolaos
Halikiopoulos-Mantzaros’
Sinfonia
in
C
major
(Greek
music archives)
[issue
5]
Three
Dances by Amalia Genatà
(Greek
music archives)
[issue
6]
Spyros
Samaras’ “Chitarrata”
(Rare
scores of Greek music) [issue
7]
Stochastic
“Jeux” [issue
9]
A
passage from Giovanni
Battista Martini’s Storia della musica (Rare
manuscripts of Greek
music)
[issue
9]
Style
and ideology: The Cold War “blend” in Greece (“Transitions”)
[issue
12]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (I)
(Rare
pages on Greek music)
[issue
12]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (II)
(Rare
pages on Greek music)
[issue
13]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (III)
(Rare
pages on Greek music)
[issue
14]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte
(IV)
(Rare
pages on Greek music)
[issue
15]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte
(V)
(Rare
pages on Greek music)
[issue
16]
A
cembalo for Nabucco?
– Basso continuo improvisation in 19th century opera performances
in
Italy and Corfù
[issue
17]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte
(VI)
(Rare
pages on Greek music)
[issue
17]
Extracts
from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte
(VII –
final)
(Rare
pages on Greek music)
[issue
18]
Markos
Tsetsos, Nationalism and populism
in Greek music.
Political aspects of a cultural
deviation,
Sakis
Karagiorgas Foundation, Athens 2011 (Book review) [issue
21]
Jim
Samson, Music in the Balkans,
Brill, Leiden & Boston 2013 (Book review) [issue
24]
Music in Cyprus during the Frankish and Venetian rule (1191-1571)
[issue
28]
Merih Erol, Greek Orthodox Music in Ottoman Istanbul.
Nation and Community in the Era of
Reform, Indiana University Press, Bloomington (Indiana)
2015 (Book review) [issue
28]
Jim Samson & Nicoletta Demetriou (ed.),
Music in Cyprus,
Ashgate, Farnham (Surrey) 2015
(Book review) [issue
29]
Valeriy Ismagilov,
Russian musical emigration in Greece during Interwar period.
Unknown
aspects of the Greek music history,
Pelasgos, Athens 2016
(Book review) [issue
32]
Guillaume Du Fay’s “Byzantine motets”
[issue
33-34]
Giorgos
Sakallieros
Nature,
methodology and typology of music analysis. Analytical thought in
the second half
of
the 20th century
[issue
3]
Sequential
art-music aspects on the folksong “Ainte
koimisou kori mou…”
(“Go,
sleep my
daughter…”);
from Bourgault-Ducoudray to Skalkottas
[issue
7]
Katy
Romanou (ed.), Serbian and Greek Art Music. A patch to
Western Music History,
Intellect
Books, Bristol – Chicago 2009 (Book review) [issue
16]
Yannis
Constantinidis / Costas Yannidis: The Greek Song within the Creative Course of a
Composer
Following Two Artistic Identities
[issue
23]
Konstantinos
G. Sampanis
The
opera performances in Zante from 1835 until the embodiment of the
Ionian Islands to
the
“Kingdom of Greece” (1864) – I
[issue
21]
The opera
performances in Zante from 1835 until the embodiment of the Ionian
Islands to
the “Kingdom
of Greece” (1864) – IÉ
[issue
22]
The
Opera Performances in Cephalonia from the Establishment of
“Solomos” Theatre (1837)
until
the First Years of “Cephalos” Theatre and the Annexation of the
Ionian Islands to
the
“Kingdom of Greece” (1864)
–
I
[issue
23]
The
Opera Performances in Cephalonia from the Establishment of
“Solomos” Theatre (1837)
until
the First Years of “Cephalos” Theatre and the Annexation of the
Ionian Islands to
the
“Kingdom of Greece” (1864) – ÉÉ
[issue
24]
The
Opera Performances in Patras during the Era of King Otto (1850-1862)
[issue
25]
Jim
Samson
Music
in crisis: Key terms and concepts
[issue
26]
Dimitris
Sarris
Museum
of Homemade Musical Instruments: From theory to didactic praxis
(Presentation)
[issue
15]
Haris
Sarris
“This
guy has learned to play the lyra at the crossroad!..”. An initiation
myth from Crete
[issue
2]
Giannis Zarias, Ornamentation
in Greek traditional violin art, Edition Orpheus, Athens
2013
(Book
review) [issue
23]
Marianna
Sideri
A
historical survey of Faust’s legend in opera
(Presentation)
[issue
21]
The fascinating story of a third
gender singers (Presentation)
[issue
35]
Anastasia Siopsi
Giorgos
Sakallieros,
Yannis Konstantinides (1903-1984). Life, work and compositional
style,
Thessalonika:
University Studio
Press, 2010
(Book review) [issue
17]
Stage action in Richard Wagner’s work in relation to his late
theories
[issue
33-34]
Angeliki
Skandali
Musical
and theatrical activities of the Mertika family in Smyrna and in Athens (end of 19th
century
– beginning of the 20th century) [issue
13]
The
teaching of opera singing in the Athens Conservatoire and the Greek Melodrama, 1900-
1939
[issue
14]
Singing classes at the conservatoires
established by M. Kalomiris and the cultivation of opera
during the early 20th century
(1919-1939) [issue
31]
Vocal teaching at the State
Conservatory of Thessaloniki (1914-1940) (Greek music
archives)
[issue
35]
Elina
Skarpathioti
A
Duke and an underdog beyond category: Ellington’s influence on Charles
Mingus
(Texts
on Jazz) [issue
6]
Markos
Skoulios
Oral
musical traditions of the Greek area: Issues of theoretical analysis
[issue
8]
Eastern
Makams and the “Right” Mode Rast
[issue
25]
Andriana
Soulele
Music
in ancient drama. An interview with the composer George Kouroupos
(Interview)
[issue
7]
Maria
Sourtzi
Webern
analyses
Webern:
the
String
Quartet
op. 28 (Music analysis)
[issue
6]
Structural characteristics of
Perotin’s organum quadruplum Sederunt principes (1st part)
(Music analysis)
[issue
29]
Ioannis
Stavrou
Songs
that were taught in the Greek schools in the 19th century
[issue
7]
Iakovos Steinhauer
The concept of mimesis in T. W. Adorno
[issue
33-34]
Alexandros
Stoupakis
The
prima and seconda prattica through the works by Claudio Monteverdi
[issue
9]
John
Svolos
Greek
Musical Modernism: Origins and Descendants (Commentary) [issue
14]
Dimitri
Sykias
Figure
and Affect in Baroque Music
[issue
2]
Nestor
Taylor
Basic reduplication models in orchestration (Musical practice)
[issue
12]
Melodic
and harmonic doubling: Consecutive fifths and octaves in traditional orchestration
(Musical
practice)
[issue
13]
The structural and functional
organization of the choir in the vocal works of J. S. Bach
[issue
31]
Harp technique: chords and arpeggios –
A guide for composers and orchestrators (Musical
practice)
[issue
35]
Irini
Theodosopoulou
“Imitation”
by musical instruments: Imitating sound of other musical instruments
and sounds
of
nature. Case-study conclusions; Cretan violin techniques
[issue
4]
Catalogue
of laographic field-work visits of the Center for Research of Greek
Folklore (1950-
1982)
(Catalogues
of archives)
[issue
8]
Maria Theofili
Manos Perrakis
(ed.),
Life as an Aesthetic Idea of Music,
Universal Edition
(Studien
zur
Wertungsforschung,
Bd. 61), Wien –
London – New York
2019 (Book review)
[issue
35]
Thanasis
Trikoupis
Comments
on the use of the harmonic interval of semitone, the ultimate
conclusive
formations
and the term stretto in
the whole work for solo piano by Fryderyk Chopin
[issue
19]
Konstantinos
Tsahourides
The
production of voice in Pontic singing: an introductory approach
(Musical practice)
[issue
11]
Ioannis Tselikas
The
incidental music of John Knowles Paine for Oedipus
Tyrannus and the
Birds
(Congress
contribution)
[issue
24]
Markos
Tsetsos
Musicological
Neo-Sophistic. Critical positions on the occasion of the Greek
translation of a
book
by Nicholas Cook
[issue
20]
Validity
and dignity of scientific review. A response to Katy Romanou (Commentary)
[issue
22]
Anastasia Siopsi,
Richard Wagner (1813-1883): Essays on the
aesthetics of his theory
and work
(Book review) [issue
30]
Rainer Maria Rilke,
Texts on music (introduction, translation, postscript: Manos
Perrakis),
Perispomeni, Athens 2015
(Book review) [issue
32]
Charikleia
Tsokani
Tsakisma:
a fundamental feature in the form of the Greek folk song
[issue
12]
Costas
Tsougras
The
harmonization of Greek folk songs by M. Ravel and Y. Constantinidis
– A comparative
study
of the works and their relation to the national music schools
[issue
9]
Nikos Skalkottas’ Passacaglia for solo piano: Tradition and innovation in equilibrium
[issue
18]
Elements
of Greek folk music in Nikos Skalkottas’ May Day Spell. A symbolic mixing of
diatonicism
and chromaticism
[issue
20]
Nikos
Tzioumaris
Music
Library of ERT SA: The history of Music Ensembles of Hellenic
Broadcasting
Corporation
(1938-2010) – Part I (From the foundation until the 1960s)
(Greek
music archives)
[issue
19]
Music
Library of ERT SA: The history of Music Ensembles of Hellenic
Broadcasting
Corporation
(1938-2010) – Part II (From late 1960s until nowadays)
(Greek
music archives)
[issue
20]
Georgia
Vavva
Western
art music in the “community”: The case of the Music Village
[issue
26]
Festivals
in Greece with Western art music, since 2008 (an indicative
catalogue) [issue
26]
George
Vlastos
Decoding
Antigone: Cocteau, Honegger
and the avant-garde of the early 20th century
[issue
10]
The
conception as transmission: Greek Antiquity according to Albert Roussel (“Transitions”)
[issue
12]
Music
Analysis and Interpretation.
Proceedings of the 2nd Congress of
Musicology (Book
review)
[issue
12]
Daniel
H. Foster, Wagner’s Ring Cycle and the
Greeks, Cambridge University Press
(Cambridge
Studies in Opera), Cambridge 2010
(Book
review)
[issue
19]
Petros
Vouvaris
Performance
as Composition, Composition as Performance: Perpetual Variations on
a Theme
by
Yannis Constantinidis [issue
23]
Haris
Vrontos
Music
and consumption (Commentary) [issue
1]
Nina-Maria
Wanek
“[…]
and should I really exercise my musical profession or even my success
in the
cemetery?”.
Musical life in Greece, 1933-1949
[issue
8]
Anton
Webern
Der
Weg zur Komposition in zwölf Tönen (Translation:
Maria Sourtzi) [issue
5]
Demetre Yannou
Giorgos Sakallieros, Dimitri
Mitropoulos and his Works in the 1920s – The Introduction of
Musical Modernism in Greece
(Athens: Hellenic Music Centre, 2016)
(Book
review)
[issue
31]
Ion
Zottos
Chopin’s
Variations opus 2 and
Schumann; Mozart and E. T. A. Hoffmann
(Congress
contribution)
[issue
18]
Announcements
Nikos
Skalkottas: A Greek European, Benaki’s Museum – 8 March 2004
[issue
4]
4th
Pan-Hellenic
Congress
of
Greek
Society
for
Music
Education,
Lamia,
1-3 July
2005
[issue
5]
Pan-Hellenic
Symposium on the topic: “Music Theory and Analysis – Methodology
and Praxis”
[issue
8]
Scientific
Meeting on the occasion of Mozart’s 250th anniversary from his birth [issue
9]
Homage
to Olivier Messiaen on the occasion of the 100th anniversary from his birth [issue
13]
International
conference:
“Greek music for the opera and other forms of the performing arts
in
the 20th century” [issue
13]
Conference
“Dimitri
Mitropoulos (1896-1960): fifty years after” (Athens Concert Hall,
12-13
November 2010) [issue
16]
International
conference: “Revisiting
the Past, Recasting the Present: The Reception of
Greek
Antiquity in Music, 19th Century to the Present”
[issue
16]
International
conference: “Revisiting
the Past, Recasting the Present: The Reception of
Greek
Antiquity in Music, 19th Century to the Present”
[issue
18]
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