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Issue 31

(Fall 2017)











Ioannis Fulias

Rena Kyriakou’s Concerto for Piano and Orchestra, opus 18: its history, a first analytical approach, a critical re-evaluation and an attempt to place the work among the Greek art music creation


Nestor Taylor

The structural and functional organization of the choir in the vocal works of J. S. Bach


Angeliki Skandali

Singing classes at the conservatoires established by M. Kalomiris and the cultivation of opera during the early 20th century (1919-1939)



Musical practice


Taksim: continuity and transformation. Historical retrospections, commentaries and reflections on the makam “performance-generated” composition

by Thimios Atzakas



Book reviews


Katerina Levidou, Katy Romanou, George Vlastos (ed.), Musical Receptions of Greek Antiquity: From the Romantic Era to Modernism (Cambridge: Cambridge Scholars Publishing, 2016)

by Kostas Kardamis


Giorgos Sakallieros, Dimitri Mitropoulos and his Works in the 1920s – The Introduction of Musical Modernism in Greece (Athens: Hellenic Music Centre, 2016)

by Demetre Yannou


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