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biographical
notes
Ioannis
Fulias
Ioannis Fulias is a Lecturer in “Systematic Musicology. Music Theory (18th-19th
centuries)” in the Faculty of Music Studies at the University of Athens
(personal website: http://users.uoa.gr/~foulias).
He was born in Athens
in 1976. He
studied music
at the Municipal Conservatory of Kalamata (degrees in Harmony,
Counterpoint, Fugue, and Piano, 1994-1998) and musicology in the
Faculty of Music Studies at the University of Athens (bachelor in
1999, and Ph.D. in 2005, with a dissertation on Slow movements in
sonata forms in the classic era). He is a member of the
Editorial Board and the Advisory Board of both the
journals Polyphonia and
Musicologia, as well as founder
member and Secretary General of
the Hellenic Musicological
Society. He has participated in the Greek RIPM group, in scientific
meetings and international congresses. He has also published several
articles, as
well as Greek translations of books (by
R. Wagner, C.
Floros and N. Cook) and shorter studies. In 2011, his book The two piano sonatas of Dimitri Mitropoulos: From late romanticism to
National School of Music was published by “Panas music”. His
research interests fall into the following fields: theory of music forms (from
18th to 21st centuries), the evolution of instrumental music genres
and forms in the
baroque, classic and romantic era,
music analysis and form.
Kostas Kardamis
Kostas Kardamis (kardamis@ionio.gr) received a BMus (2000) and a PhD (2006) from
the Ionian University, and a MMus (2002) from Royal Holloway,
University of London. He is a lecturer in the Department of Music
Studies at the Ionian University and curator of the Archive and the
Museum of the Corfu Philharmonic Society. His published papers and
articles are mainly focused on Neohellenic music, especially that of
the 18th and 19th centuries, as well as in opera and musical theatre.
His research interests also include band music and the interaction
between music, society and politics.
Giorgos
Sakallieros
Giorgos Sakallieros is an assistant professor of
historical musicology at the Aristotle University of Thessaloniki (School
of Music Studies, Faculty of Fine Arts). He was born in Tübingen,
Germany in 1972. He studied musicology in the Faculty of Music
Studies at the Aristotle University of Thessaloniki (BA, 1996), as
well as the Faculty of Music Studies at the University of Athens (PhD,
2005). He also studied guitar performance, music theory and
composition at the “Collegium Musicum” Conservatory in
Thessaloniki, from which he graduated with Advanced Diplomas in 1995
and 2005. His papers have been presented in various international
musicological conferences and published in several musicological
journals, collective editions and proceedings. He is the author of
the book Yiannis Constantinidis (1903-1984). His life, works and compositional
style (Thessaloniki: University Studio Press, 2010). His works,
including orchestral, vocal and chamber music, have been regularly
performed and have received awards in national composition
competitions. He is a member of the International Musicological
Society (IMS), the Society of Interdisciplinary Musicology (
SIM
), the Greek Composers’ Union and the Hellenic Musicological
Society.
Konstantinos
G. Sampanis
Konstantinos G. Sampanis was born in Athens in 1964. He
completed his studies in the Faculty of History and Archaeology at
the University of Athens. He received a Master Diploma in Opera from
the Faculty of Theatre Studies at the University of Athens and a PhD
in Historical Musicology from the Faculty of Music Studies at the
Ionian University, with a thesis entitled Opera
in Athens during the reign of King Otto (1833-1862) through
newspaper articles and travellers’ memoirs of that era. In
particular, he examines the introduction, the reception and the
establishment of the operatic genre in the theatres of the Greek-speaking
area during the 19th century. He works as a Greek language teacher
since 1989. He is married and has two adult daughters.
Haris
Sarris
Haris Sarris is currently a faculty member at the Department
of Traditional Music of the Technological Institution of Epirus,
Greece. He is an Editorial Assistant of the Journal
of Interdisciplinary Music Studies (JIMS) and a scientific
collaborator of the journal Polyphonia.
He holds a B.Sc. Degree in Music Studies and a Ph.D. in
Ethnomusicology from the Faculty of Music Studies of the National
and Kapodistrian University of Athens, Greece. His
thesis is an organological ethnography of the gaida bagpipe in the Evros region of Greek Thrace. He plays the
Cretan lira. He has
studied the accordion, harmony and counterpoint. His research
interests include the music traditions of the Balkans and the Aegean
focusing on musical instruments, repertoire, and ethnographic film.
Petros
Vouvaris
Petros Vouvaris holds a doctoral degree from the
University of Wisconsin-Madison, U.S.A. Papers of his have been
presented in conferences and seminars both in Greece and abroad,
while his articles have been published in Greek and foreign journals.
He is an active performer, having given piano solo and chamber music
recitals both in Greece and the U.S.A. He is a lecturer in “Music
Form and Analysis” in the Department of Music Science and Art at
the University of Macedonia and a member of the board of directors
of the Hellenic Musicological Society.
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