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Issue 33-34
(Spring 2019)
contents
abstracts
contributors
Editorial
Articles
Anastasia Siopsi
Stage action in Richard Wagner’s work in relation to his late theories
Iakovos Steinhauer
The concept of mimesis in T. W. Adorno
Alexandros Baltzis
Critical theory in the new conditions of cultural production
Irmgard Lerch-Kalavrytinos
Humour, irony and satire in medieval music
George Fitsioris
14th century: Ars Nova, the birth of a new art
Katy Romanou
Guillaume Du Fay’s “Byzantine motets”
Ioannis Fulias
Anton Reicha and the first systematisation of music forms in the 19th century
Nikolaos Maliaras
Theophrastos Sakellaridis, Perouzé. The revival of an opera
Theodore Karathodoros
Exploring the structural qualities of Legetos in Dimitri Terzakis’ Legetos for two violins
Conference contributions
Genuinely Greek, inherently orientalist or a longing cosmopolitan? Exploring Emilios Riadis’ identities through the song cycle for voice and piano Neuf petites mélodies roumies
by Sofia Kontossi
“Some privileged ratio by itself, some privileged perception, and some a combination of the two”. The depiction of music intervals as a timeless search in the theory of Greek music
by Antonis I. Konstantinidis
