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Issue 12

(Spring 2008)

contents

abstracts

contributors

contents

   

Editorial

 

 

Articles

 

Ioannis Fulias

Sonata forms and their theoretical evolution: 19th-century theorists (II)

 

Charikleia Tsokani

Tsakisma: a fundamental feature in the form of the Greek folk song

 

 

Transitions

 

Biljana Milanović

Serbian Composers of the First Half of the 20th Century and the Inventing of the Balkans

 

Melita Milin

From Communism to Capitalism, via the Wars. 

The Changing Landscape of Serbian Music (1985-2005)

 

Katy Romanou

Style and ideology: The Cold War “blend” in Greece

 

Kostas Paparrigopoulos

Xenakis and the Passage towards Universalism

 

Sofia Kontossi

The transition of Greek art song from the National School to Modernism

 

Yannis Belonis

Dimitri Mitropoulos Lonesome Passage to Modern Music

 

George Vlastos

The conception as transmission: Greek Antiquity according to Albert Roussel

 

 

Musical practice

 

Basic reduplication models in orchestration

by Nestor Taylor

 

 

Book review

 

Music Analysis and Interpretation. Proceedings of the 2nd Congress of Musicology

by George Vlastos

 

 

Rare pages on Greek music

 

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (I)

by Anastasia Kakaroglou and Katy Romanou

 

 
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