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contents
Editorial
Articles
Evangelia Chaldæaki
Transcribing Ottoman Turkish and Greek folk music in Byzantine notation: The
method of K. A. Psachos
Athanasios Nastos
Eros and death in Manolis Kalomiris’ Master Builder:
Wagner’s imprint and the role of the
“Till
Eulenspiegel’s
chord”
Theodore
Karathodoros
Michalis Adamis: Deliberate creative pursuit and
composition with electronic sounds
Aikaterini Syrrakou
The appraisal of the aesthetic value of art works through the aesthetic theory
of M. Beardsley
Anastasios Hapsoulas
World history of music: Concerns and perspectives
Anastasios Hapsoulas
The translational activity of the Arabs and the
reception of ancient Greek music-theoretical thinking during the Middle Ages
Panos Vlagopoulos
Deleuze at IRCAM
Translation
Gilles Deleuze
Rendre audibles des forces non audibles par elles-mêmes
by
Panos Vlagopoulos
Presentation
Record industry: Greek dimensions of a global
phenomenon
by
Nikos Tzioumaris
Book
review
Nick Poulakis
(ed.), World musics: Soundscapes, identities and
practices
by
Eleni Kallimopoulou |
