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Issue 36
(Spring 2022)
contents
abstracts
contributors
Editorial
Articles
Dimitris Kollintzas
Some thoughts on the correspondence of Byzantine modes and makams arising from the case of Doxology in the acem asiran makam written by Parthenios Mileos in the New Method
Nikos A. Dontas
Operas and operettas of Greek composers at the Greek National Opera. A first approach
Zafiris Nikitas
Interartistic osmosis: Theatre and music in the 1960s
Panos Vlagopoulos
The wealth of descriptions or Wittgenstein and Adorno on music: Essay before an analysis
Translation
Theodor W. Adorno
Berg’s Piano Sonata
by Panos Vlagopoulos
Musical practice
15 Little Variations for piano solo: Violinist Nikos Skalkottas as an interpretative guide of his own work
by Apostolos Palios
Presentation
Guitarists and composers for guitar in the 19th and 20th centuries, in the Greek world and the Diaspora: Known and unknown aspects of guitaristic art and literature
by Dimitris Kotronakis