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Issue 36

(Spring 2022)

contents

abstracts

contributors

contents

  

Editorial

 

 

Articles

 

Dimitris Kollintzas

Some thoughts on the correspondence of Byzantine modes and makams arising from the case of Doxology in the acem asiran makam written by Parthenios Mileos in the New Method

 

Nikos A. Dontas

Operas and operettas of Greek composers at the Greek National Opera. A first approach

 

Zafiris Nikitas

Interartistic osmosis: Theatre and music in the 1960s

 

Panos Vlagopoulos

The wealth of descriptions or Wittgenstein and Adorno on music: Essay before an analysis

 

 

Translation

 

Theodor W. Adorno

Berg’s Piano Sonata

by Panos Vlagopoulos

 

 

Musical practice

 

15 Little Variations for piano solo: Violinist Nikos Skalkottas as an interpretative guide of his own work

by Apostolos Palios

 

 

Presentation

 

Guitarists and composers for guitar in the 19th and 20th centuries, in the Greek world and the Diaspora: Known and unknown aspects of guitaristic art and literature

by Dimitris Kotronakis

 

 
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