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Issue 37

(Spring 2026)

contents

abstracts

contributors

biographical notes

  

Evangelia Chaldæaki


Evangelia Chaldæaki received her doctorate from the Department of Turkish and Modern Asian Studies at the National and Kapodistrian University of Athens in 2022 with a dissertation titled Folk Music in the Turkish and Greek Musical Collections of the Late Ottoman Era: Popular Culture and Intercommunal Relations (in Greek). She studied “Turkish Language, Philology and History” at the same Department and then received her MA in “Folklore Studies” from the Philology Department at the National and Kapodistrian University of Athens. She is currently conducting post-doctoral research in the Department of Music Studies at the University of Ioannina, with a thesis titled Turkish and Greek Folk Music in the Greek Musical Collections of the Late Ottoman Era: Musical Transnotations, Commentary and Modern Performance (in Greek). As an experienced researcher, she has conducted extensive historical work through archival research, while also being an active musician. Most of her work concerns archival research in her areas of study, such as Greek and Turkish music, culture, and folklore. She holds a Diploma in Byzantine Music and teaches singing at the Center of Greek Music “Fivos Anoyanakis”. She has received several distinctions for her work. During the 2015-2016 academic year, she was a scholar of the Sasakawa Young Leaders Fund (SYLFF) and, between 2019 and 2021, of the Hellenic Foundation for Research and Innovation (H.F.R.I.). Her master’s thesis titled K. A. Psachos and His Contribution to Recording and Studying Greek Folk Songs (in Greek) received the 2018 Kaftantzoglio Award and was also published in 2018 as a monograph by Edition Orpheus.

  

  

Anastasios Hapsoulas


Anastasios Hapsoulas is a Professor of Ethnomusicology at the Department of Music Studies, National and Kapodistrian University of Athens. He holds a Ph.D. in Ethnomusicology – Systematic Musicology from Georg-August University of Göttingen (Germany). He studied Musicology and Philosophy at the corresponding Departments of the same University. His Ph.D. thesis titled Information on the Traditional Greek Music-Life in Travellers’ Chronicles of the 18th and the 19th Centuries was published by Orbis Musicarum (Edition Re) in 1997 in Göttingen. His work was partly sponsored by the Onassis Foundation. He also received a scholarship from the State Scholarships Foundation and carried out post-doctoral research titled Music Transcriptions of Melodies from Xeropotamos of Drama, which was published in June 2003 by Panas Music Editions. Parts of his work have been presented in international conferences. His research interests include the methodology of ethnomusicology, the history of Greek traditional music, as well as the secular music traditions of the Middle Ages.

  

  

Eleni Kallimopoulou


Eleni Kallimopoulou is an ethnomusicologist and associate professor at the Department of Music Studies, National and Kapodistrian University of Athens. She studies Greek popular music through ethnographic and historical research. She is author of Paradosiaká: Music, Meaning and Identity in Modern Greece (Routledge, 2009), and co-editor of Popular Music of the Greek World (National and Kapodistrian University of Athens Press, e-book, 2024), Counter-Archives: Rethinking Oral History from Below (Greek Oral History Association, 2021), Music Communities in 21st-century Greece: Ethnographic Glances and Listenings (Pedio, 2020), and Introduction in Ethnomusicology (Asini, 2014). She is a member of the International Advisory Board of Ethnomusicology Forum.

  

  

Theodore Karathodoros


Theodore Karathodoros is a composer and a musicologist. He graduated from the Department of Music Science and Art at the University of Macedonia in Thessaloniki, Greece, and holds a masters degree in educational administration and management from the Department of Primary Education at the University of Thessaly, Greece. He received his PhD in Musicology from the Department of Music Studies at the National and Kapodistrian University of Athens, Greece. He studied composition with Athanasios Zervas and Michael Adamis, and attended composition seminars with Theodore Antoniou, Dinos Constantinides, Eric Honour, Gustavo Leone, Ilya Levinson, Stephen Syverud and Michail Travlos, among others. He also holds degrees in harmony and music theory, as well as diplomas in Byzantine music and piano. He has presented many papers at musicology conferences, while several of his compositions have been performed both in Greece and abroad by distinguished soloists and prestigious ensembles, such as Rex Richardson, Iwona Glinka, Leo Saguiguit, Nikos Christodoulou, the Louisiana Sinfonietta, Camerata Europæa and the Athens Saxophone Quartet, among others. He has been a scientific associate of the Great Orthodox Christian Encyclopedia, contributing with various entries on Byzantine music. Since 2008, he has been the Cultural Affairs Officer of the Nea Anchialos Society of Athens. He is also a member of the Specialized Educational Staff of the Department of Music Studies of the National and Kapodistrian University of Athens.

  

  

Athanasios Nastos


Athanasios Nastos is a postdoctoral researcher in the Department of Music Studies at the National and Kapodistrian University of Athens. He holds a Ph.D. in Musicology and an M.A. in the History of Music from the same university, specializing in Historical and Systematic Musicology with a focus on opera. He graduated from the Department of Humanities at the Hellenic Open University (Studies in Greek Civilization). He also studied advanced theory, piano, and accordion, earning a Diploma in Fugue (Hellenic Conservatory), a Diploma in Piano (Municipal Conservatory of Moschato) and a Diploma in Accordion (Hellenic Conservatory). He teaches European Music Theory at the Music School of Alimos and is a member of the Hellenic Musicological Society. During the spring semester of the 2023-2024 academic year, he taught the course “Special Topics in the History of Music: History of Modern Greek Opera” in the Department of Music Studies at the National and Kapodistrian University of Athens. His interests also include music composition, primarily chamber and film music scores, which have received distinctions and awards in Greece and abroad.

  

  

Aikaterini Syrrakou


Aikaterini Syrrakou is a postdoctoral researcher in the Department of Music Studies at the National and Kapodistrian University of Athens. She holds a doctoral degree from the Department of Music Studies at the National and Kapodistrian University of Athens, an MA in Arts in Education from the Institute of Education at the University of London, UK, and a Bachelor of Music from North Texas State University, TX, USA. She has participated in several conferences and forums. Her key focus is collaboration. She has taught undergraduate courses, including Philosophy of Music, Aesthetics of Music, History of Greek Music, and Ancient Greek Music, at the Department of Music Science and Art, University of Macedonia. She worked as a public relations manager at the Thessaloniki International Film Festival, contributing to participants’ intellectual development and social cultivation on an international level. She currently teaches piano performance, history of music, and music education at the Conservatory of the Municipality of Pylaia-Chortiatis. She also works in artistic-educational programming at the Thessaloniki Concert Hall. She is the director of the educational project “Window to the Megaron”, developed in collaboration with the MOUSA Orchestra of the Thessaloniki Concert Hall and other institutions. She is about to publish her first book titled Music, Value, Education.

  

  

Nikos Tzioumaris


Nikos Tzioumaris is a PhD student in the Department of Music Studies at the Ionian University. His thesis focuses on the history of Greek radio orchestras. He also teaches at the Music School of Kalamata.

  

  

Panos Vlagopoulos


Panos Vlagopoulos was born in 1961 in Corinth, Greece. He studied Law at the Democritus University of Thrace, and Musicology in Basel and Corfu. He completed his PhD in the historiography of Ars Nova under the supervision of Irmgard Lerch in 2004. He worked as a Music Librarian at the Music Library Lilian Voudouri in the Megaron – The Anthens Concert Hall (1995-2003). He is a Professor of Musicology in the Department of Music Studies at the Ionian University, Corfu, Greece. He is the editor-in-chief of the Greek musicological journal Mousikos Logos Online. He has presented papers on musicological topics in Athens, Oxford, Wien, Dresden et al., as well as on Wittgenstein at Austrian Wittgenstein Society conferences. He has translated books into Greek, including Lydia Goehr’s Imaginary Museum of Musical Works and Nelson Goodman’s Languages of Art. His research focuses on the aesthetics and ideological issues in the history of Greek music. His latest book is Two-Edged Harmonization or Modern Greek Music and Its Others: Snapshots of a Struggle for Recognition (Athens: To Rodakio, 2024).

 

 
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