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Panaghiotis Adam

Thomas Mace’s Musick’s Monument. A 17th century instruction manual [issue 2]

Mode, subject and answer in renaissance polyphony [issue 5]

Theodor W. Adorno

Berg’s Piano Sonata (Translation: Panos Vlagopoulos) [issue 36]

Minas I. Alexiadis

The forbidden music-theatre: operas and composers in the shadow of Nazism (Congress

contribution) [issue 15]

Nikos Andrikos

The ecclesiastical music production in 20th-century Lesvos: a historical – stylistic approach

(Congress contribution) [issue 18]

Evdoxia Angelidou

Charikleia Tsokani, Medusa’s Cry (Book review) [issue 13]

Thimios Atzakas

Taksim: continuity and transformation. Historical retrospections, commentaries and

reflections on the makam “performance-generated” composition (Musical practice)

[issue 31]

Dimitrios Balageorgos

Hymnopsaltics of the Holy Week [issue 2]

Alexandros Baltzis

Critical theory in the new conditions of cultural production [issue 33-34]

Maria Barbaki

“Music companies”, wind orchestras in late 19th century Athens [issue 6]

Rachel Beckles Willson

A project in flux: Tracing lines, heterogeneities, and interactions [issue 26]

Yannis Belonis

Manolis Kalomiris and Nikos Skalkottas [issue 1]

Manolis Kalomiris and the dark side of the German Occupation and Civil War period [issue 4]

The chamber music until the middle of the 20th century in Greece [issue 11]

Dimitri Mitropoulos’ Lonesome Passage to Modern Music (“Transitions”) [issue 12]

The response of music critics to the Greek operetta during the Greek inter-war period

[issue 35]

Dionysia Blazaki

Hegel and Schopenhauer: The abstraction in music [issue 27]

Irena Bogdanović

Greek melodramatic companies and opera singers in Odessa before the First World War

(1880-1914) (Sources) [issue 24]

Smaragdi Boura

Abu Naşr Muhammad al-Fārābī and the ancient Greek musical heritage [issue 2]

Nikos Bubaris

Moving Sounds: a study on the circulation of music as a cultural object [issue 15]

Nefeli Chadouli

Mixed forms of sonata and rondo in the final movements of selected piano trios by

Mendelssohn (opera 49 and 66) and Spohr (opus 133) [issue 32]

Achilleus G. Chaldaeakes

From the ritual of the Matins service: The imposition of poetic texts in Polyeleos Chant  

[issue 11]

Evangelia Chaldaiaki

Orality and literacy in the Ottoman music: The role of non-Muslim musicians on developing

and using musical notation systems (Presentation) [issue 28]

Kostas Chardas

Yorgo Sicilianos, On Music, Benaki Museum, Hellenic Music Centre, Athens 2011

(Book review) [issue 20]

Alexandros Charkiolakis

An unknown testimony by Alekos Xenos about Manolis Kalomiris (Documents) [issue 10]

Nafsika Chatzichristou

Examination of the Greek classical music and opera audience’s motives for participation

in live concerts and performances [issue 29]

Valia Christopoulou

In remembrance of Yorgos Sicilianos (1920-2005) – with a catalogue of his works 

(In memoriam) [issue 6]

Modernism and Greek Antiquity in the works of Yorgos Sicilianos [issue 20]

Renata Dalianoudi

Violin – Lute – Guitar as folk instruments in Crete: Tuning – Repertory – Techniques 

(Musical practice) [issue 3]

Alexandros Dionatos

The institutions of music education in the Italian Baroque. Traditional practices and

innovative foundations: Venetian Ospedali and Neapolitan Conservatorii [issue 32]

Nikos A. Dontas

Greek National Opera. From the foundation of the first state-funded opera company in

Greece until 1974 [issue 24]

Verdi at the Greek National Opera during the Period from 1939 to 2010 [issue 25]

Operas and operettas of Greek composers at the Greek National Opera. A first approach

[issue 36]

Myrto Economidou

An unpublished extract from the memoirs of Manolis Kalomiris (Documents) [issue 10]

George Fitsioris

14th century: Ars Nova, the birth of a new art [issue 33-34]

Eva Fourlanou

The Athens Concert Hall: Bridging art and education [issue 26]

Ioannis Fulias

Presentation of the journal Musicologia [Musicology] [issue 1]

George Zervos, Nikos Skalkottas and the Early 20th Century European Tradition 

(Book review) [issue 2]

George Zervos, Schönberg, Berg, Webern: The Crisis of Music through the Crisis of Theme 

and Forms (Book review) [issue 2]

Georg Wilhelm Friedrich Hegel, The Aesthetics of Music (Book review) [issue 2]

Charles Ives, Essays Before a Sonata (Book review) [issue 2]

A brief speculation about the principles that rule the chordal progressions (Music education) 

[issue 3]

George Fitsioris: Introduction in Theory and Analysis of Tonal Music (Book review) [issue 5]

“Antis gia Oneiro”: Attempting a restoration and a comprehension of pebbles of the New-

Hellenic Art Music (Presentation) [issue 7]

Sonata forms and their theoretical evolution: The different sonata types – 18th-century 

theorists (I) [issue 8]

Sonata forms and their theoretical evolution: 18th-century theorists (II) [issue 9]

Sonata forms and their theoretical evolution: 18th century theorists (III) [issue 10]

Sonata forms and their theoretical evolution: 19th-century theorists (I) [issue 11]

Sonata forms and their theoretical evolution: 19th-century theorists (II) [issue 12]

Sonata forms and their theoretical evolution: 20th-century theorists (I) [issue 13]

Vassilis Mitropoulos, The technique of melody harmonization (Book review) [issue 13]

Sonata forms and their theoretical evolution: 20th-century theorists (II) [issue 14]

Sonata forms and their theoretical evolution: 20th-century theorists (III) [issue 15]

Sonata forms and their theoretical evolution: Concluding remarks on the first three sonata

types – The contribution of Sonata Theory by Hepokoski and Darcy to the current

scientific debate [issue 16]

Sonata forms and their theoretical evolution: The fourth sonata type (“sonata-rondo”) and

other related forms [issue 17]

Sonata forms and their theoretical evolution: The fifth sonata type (“sonata-concerto

form”) in 18th- and 19th-century theory [issue 18]

Sonata forms and their theoretical evolution: The fifth sonata type (“sonata-concerto

form”) in the 20th-century theory and nowadays [issue 19]

New editions of catalogues of works by Greek composers:

• Maria Ntourou (ed.), Yannis A. Papaioannou: Complete catalogue of works – Third 

edition, Institute of Research on Music & Acoustics – Philippos Nakas, Athens 2010 &

• Valia Christopoulou, Catalogue of the works of Yorgos Sicilianos, Panas Music (Greek 

Musicological Editions, vol. 12), Athens 2011 (Book review) [issue 19]

The birth and the evolution of a composer: Dimitri Mitropoulos in 1910s

(Congress contribution) [issue 20]

Kostas Kardamis (ed.), Spyridon-Filiskos Samaras. An homage for the 150 years since his 

birth, Corfu Philharmonic Society (Publications of the Music Museum “Nikolaos 

Halikiopoulos Mantzaros”, Studies 2), Corfu 2011 (Book review) [issue 20]

The music of Ludwig van Beethoven through Heinrich Birnbach’s first essays on musical form

(1827-1829) [issue 21]

Dimitri Mitropoulos and the Greek National School of Music [issue 23]

The four piano concertos of Xaver Scharwenka. A contribution to the examination of the

concerto genre during the late romantic period (Part I) [issue 29]

The four piano concertos of Xaver Scharwenka. A contribution to the examination of the

concerto genre during the late romantic period (Part II) [issue 30]

Rena Kyriakou’s Concerto for Piano and Orchestra, opus 18: its history, a first analytical

approach, a critical re-evaluation and an attempt to place the work among the Greek

art music creation [issue 31]

Anton Reicha and the first systematisation of music forms in the 19th century [issue 33-34]

Alain Gedovius

Dimitris Levidis: Gleanings from Le Journal de ma Vie [The diary of my life] (Part I)

(Documents) [issue 28]

Dimitris Levidis: Gleanings from Le Journal de ma Vie [The diary of my life] (Part ΙI)

(Documents) [issue 29]

Αnastasia Georgaki

The metaphysical dimension of the synthetic sung voice in the piece Mortuos Plango – vivos

voco (J. Harvey, 1981) [issue 4]

Towards a classification of visual sound in 20th-century art: From color sequence to

interactive visual music (Presentation) [issue 28]

Sokratis Georgiadis

Compositional thought and cadential structures in early and middle Renaissance polyphony:

Fishing in troubled waters [issue 27]

Nicolae Gheorghiţă

Dionysios Photeinos: The Anastasimatarion [issue 16]

Ilias Giannopoulos

Judit Alsmeier, Komponieren mit Tönen (Book review) [issue 11]

Leontios Hadjileontiadis

The Strychnine Lady (1967) of Jani Christou. Relations, analogies and differentiations with

the European and American Experimental Music Theatre of the decades of 1960 and

1970 [issue 17]

Anastasios Hapsoulas

Western art music and Greek music education: Crisis and prospects [issue 26]

George Hatzinikos

Music in society. Musical education in Greece (Music education) [issue 4]

Dimitris Kabolis

Arvanitic songs in the public sphere: Issues of music policy [issue 22]

Anastasia Kakaroglou

Louis-Albert Bourgault-Ducoudray’s “Le carnaval d’Athènes” (Rare editions) [issue 8]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (I)

(Rare pages on Greek music) [issue 12]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (II)

(Rare pages on Greek music) [issue 13]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (III)

(Rare pages on Greek music) [issue 14]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (IV)

(Rare pages on Greek music) [issue 15]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (V)

(Rare pages on Greek music) [issue 16]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (VI)

(Rare pages on Greek music) [issue 17]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (VII –

final) (Rare pages on Greek music) [issue 18]

Vasileios Kalagkias

Form and technique in Wolfgang Amadeus Mozart’s independent sets of variations for

keyboard (Part I) [issue 27]

Form and technique in Wolfgang Amadeus Mozart’s independent sets of variations for

keyboard (Part II) [issue 28]

Alexia Kallergi-Panopoulou

Private conservatories and music schools in Greece: A comparative study of the principal

institutions of music education during the economic crisis [issue 26]

Stathis Kallianos

The unanswered (?) question or about counterpoint (Music education) [issue 2]

Vasilis Kallis

Modes of Cross-Scalar Interaction in Twentieth Century Music [issue 20]

Takis Kalogeropoulos

The “Gold Medals” of Athens Conservatory (Commentary) [issue 2]

Magdalini Kalopana

Dimitris Dragatakis (Homage) [issue 1]

Dimitris Dragatakis: Works’ Catalogue (1914-2001) [issue 16]

The Reception of Greek Antiquity in the Music of Dimitris Dragatakis [issue 20]

Loukia Karakosta

“The poet speaks” through violin’s soundpost. Robert Schumann’s Violin Concerto:

a posthumous work [issue 3]

Theodore Karathodoros

Two-way communication between composer and performer. The contribution of Lykourgos

Angelopoulos to contemporary art music (Conference contribution) [issue 30]

Exploring the structural qualities of Legetos in Dimitri Terzakis’ Legetos for two violins

[issue 33-34]

Kostas Kardamis

The folkloric element in the opera The Parliamentary Candidate by Spiridon Xindas [issue 22]

Spyridon Xyndas (Spiridione Xinda), Leonidas Alvanas and Some Thoughts Regarding the Art

Song in Ionian Islands [issue 23]

Spiros Samaras’ interventions regarding the musical matters of Greece (1888-1909)

[issue 30]

Katerina Levidou, Katy Romanou, George Vlastos (ed.), Musical Receptions of Greek

Antiquity: From the Romantic Era to Modernism (Cambridge: Cambridge Scholars

Publishing, 2016) (Book review) [issue 31]

Pavlos Kavouras

Western art music at the time of crisis: An interdisciplinary study of contemporary Greek

culture and European integration [issue 26]

George Kitsios

Pafsilypon: A German “Temple of the Muses” in the Ottoman Ioannina of 1873 (Greek music

archives) [issue 10]

Κostas Klavvas

For a natural approach of harmony rules (Music education) [issue 2]

Daniel Koglin

Improvisation in Greek folk music. The interplay of music and dance in Thrace [issue 3]

Dimitris Kollintzas

Some thoughts on the correspondence of Byzantine modes and makams arising from the

case of Doxology in the acem asiran makam written by Parthenios Mileos in the New

Method [issue 36]

Christos Kolovos

Chronological Catalogue of the Konstantinos Kydoniatis’ works (Greek music archives) 

[issue 4]

Miltiades Caridis; Danzig, 1923 – Athens, 1998. Ten years of absence (In memoriam)

[issue 14]

Lula Mafta-Kalogera (1900-1994); fifteen years from her death (Commentary) [issue 15]

Tassos Kolydas

The change of the guitar’s repertoire in the early twentieth century [issue 9]

Sophia Kompotiati

The ethnomusicologist Béla Bartók and his fieldwork in Turkey. Brief chronicle of a great

mission [issue 4]

Antonis I. Konstantinidis

Arithmetics and mathematics in accordance with the Theory of Chrisanthos (Conference

contribution) [issue 30]

“Some privileged ratio by itself, some privileged perception, and some a combination of the

two”. The depiction of music intervals as a timeless search in the theory of Greek music

(Conference contribution) [issue 33-34]

Paris Konstantinidis

W. A. Mozart. Fifteen approaches (Book review) [issue 14]

Sofia Kontossi

The transition of Greek art song from the National School to Modernism (“Transitions”)

[issue 12]

Genuinely Greek, inherently orientalist or a longing cosmopolitan? Exploring Emilios Riadis’

identities through the song cycle for voice and piano Neuf petites mélodies roumies

(Conference contribution) [issue 33-34]

George Kontrafouris

Introduction to jazz harmony (Musical practice) [issue 1]

Apostolos Kostios

Music Therapy: Art in the service of science (I) [issue 15]

Dimitri Mitropoulos: The contribution of the man and the artist (a different approach)

[issue 16]

Music Therapy: Art in the service of science (II) [issue 16]

Music Therapy: Art in the service of science (III) [issue 17]

Dimitris Kotronakis

Guitarists and composers for guitar in the 19th and 20th centuries, in the Greek world and

the Diaspora: Known and unknown aspects of guitaristic art and literature

(Presentation) [issue 36]

Dimitris E. Lekkas

Byzantine diatonicism: systemic structural approach [issue 8]

Byzantine “soft chroma”: a systemic structural approach [issue 17]

George Leotsakos

Dimitris Levidis: Gleanings from Le Journal de ma Vie [The diary of my life] (Part I)

(Documents) [issue 28]

Dimitris Levidis: Gleanings from Le Journal de ma Vie [The diary of my life] (Part ΙI)

(Documents) [issue 29]

Irmgard Lerch-Kalavrytinos

Humour, irony and satire in medieval music [issue 33-34]

Κaterina Levidou

Two Greek Dances by Nikos Skalkottas [issue 1]

The Rite of Spring and Russian tradition: The quest for “Russianness” [issue 3]

Valérie Dufour, Stravinski et ses exégètes (1910-1940), Editions de l’Université de Bruxelles,

Bruxelles, 2006 (Book review) [issue 18]

Surviving the crisis: Summer festivals of Western art music in contemporary Greece

[issue 26]

Festivals in Greece with Western art music, since 2008 (an indicative catalogue) [issue 26]

Theodore Loustas

Distinguished Greek pianists of the past: analytical discography and concise biographical

information [issue 18]

Nikolaos Maliaras

Byzantine Musical Instruments [issue 1]

J. S. Bach, The Art of the Fugue [issue 6]

Yannis Belonis, Chamber music in Greece in the first half of the 20th century. The case of

Marios Varvoglis (1885-1967), Hellenic Music Centre, Athens 2012 (Book review) 

[issue 21]

Theophrastos Sakellaridis, Perouzé. The revival of an opera [issue 33-34]

Dionyssis Mallouhos

Music critique [issue 2]

Classical music in Kalamata at the time of the economic crisis [issue 26]

Katerina Maniou

The relationship of Alfred Schnittke to serialism and its application during the

post-experimental phases of his work [issue 27]

Motif and contemporary musical borrowing material as a means of a new form of thematicism

in Alfred Schnittke’s work [issue 35]

Giorgos Manouselis

The Ergon at work: Mapping changes in the political economy of Western art music through

the case study of the Ergon Ensemble [issue 26]

Veroniki Mavriki

The presence of harmonica in Istanbul, Izmir and in Greece: Organological and terminological

issues (Presentation) [issue 22]

Konstantinos Mavrogenis

The Mass super Aller mi faut la verdure of Franghiskos Leondaritis – A “Parody Mass” on

two Polyphonic Models [issue 25]

Biljana Milanović

Serbian Composers of the First Half of the 20th Century and the Inventing of the Balkans

(“Transitions”) [issue 12]

Melita Milin

The Russian Musical Emigration in Yugoslavia after 1917 [issue 6]

From Communism to Capitalism, via the Wars. The Changing Landscape of Serbian Music

(1985-2005) (“Transitions”) [issue 12]

Robin Minard

Sound Installation Art (Modern artistic tendencies) [issue 13]

Thanassis Moraitis (in collaboration with Demétrios Lekkas)

Modality and polyphony in prehistoric Balkans [issue 5]

Neoklis Neofytidis

Causes and motivations behind Arnold Schoenberg’s arrangements: musical and extramusical

factors [issue 6]

Zafiris Nikitas

Interartistic osmosis: Theatre and music in the 1960s [issue 36]

Eirini Nikolaou

Music education in the works of ancient philosophers (Music education) [issue 8]

The harmonies of earlier periods of time in Aristides Quintilianus’ treatise On music

(Presentation) [issue 28]

Apostolos Palios

15 Little Variations for piano solo: Violinist Nikos Skalkottas as an interpretative guide of his

own work (Musical practice) [issue 36]

Panos Panopoulos

Ēchotropia: The detection / displacement of acoustic experience in modern sound art

(Modern artistic tendencies) [issue 13]

Ioannis Papachristopoulos

Developmental stages of Dimitris Terzakis’ composition technique [issue 17]

Aspects of the compositional work of Dimitri Terzakis during the last two decades [issue 19]

George-Julius Papadopoulos

Music as a Performing Art: Reflections on the Metaphysical and Ontological Status of the

Musical Work [issue 9]

Kostas Paparrigopoulos

Xenakis and the Passage towards Universalism (“Transitions”) [issue 12]

Chrysi Parpara

The attack on Manolis Kalomiris’ work in the periodical Mousika Chronika (1925, 1928-33);

issues of Greek music history [issue 10]

Risto Pekka Pennanen

The organological development and performance practice of the Greek bouzouki (Part I)

[issue 14]

The organological development and performance practice of the Greek bouzouki (Part ΙΙ)

[issue 15]

Vesna Sara Peno

The modern Serbian psaltic practice in the light of the post-Byzantine psaltic tradition

[issue 21]

Elissavet Perakaki

The Cross-Curriculum Program of Studies for Music Education (Music education) [issue 3]

Efi Petropoulou

Claude Debussy through his articles and interviews (Presentation) [issue 10]

John Plemmenos

Musical Instruments in Byzantine Hymnography [issue 7]

Nick Poulakis

Daniel Barenboim – Edward W. Said: Parallels and Paradoxes. Explorations in Music and 

Society (Book review) [issue 10]

Eleni Kallimopoulou and Alexandra Balandina (ed.), Introduction to Ethnomusicology, Assini,

Athens 2014 (Book review) [issue 24]

Institutions in crisis? Music ensembles and cultural organisations in 21st-century Greece

[issue 26]

Panagiotis Poulos

Listening to innovation: The case of Tanburi Cemil Bey (1873-1916) in modern Turkish music

historiography [issue 7]

Christos Pouris

Chopin and the piano in the 19th century [issue 1]  

Stelios Psaroudakes

Primaeval aerophones and the doubtful evidence from Dispelio [issue 2]

Walter Puchner

Greek melodramatic companies and opera singers in Odessa before the First World War

(1880-1914) (Sources) [issue 24]

Mando Pyliarou

A Greek tribute to Beethoven in 1927 (Presentation) [issue 19]

Solon Raptakis

The Piano Sonata in Early Romanticism: A Comparative Study of First Movements from

Piano Sonatas of the 1820s [issue 25]

The Fifth Piano Sonata of Alexander Scriabin: A dialogue with sonata forms [issue 27]

Theocharis Raptis

Lullabies and their effect on the infants (Music education) [issue 13]

Anna-Maria Rentzeperi-Tsonou

M. Varvoglis, The Afternoon of Love. Factual elements and shaping of the libretto [issue 5]

Katy Romanou

Guillaume de Machaut, the King of Cyprus and La Prise d’Alixandre [issue 1]

Notes on Konstantinos Psachos’ Pythios Nomos (Greek music archives) [issue 3]

Notes on Εpi ton potamon Vavilonos (Greek music archives) [issue 4]

The comprehension of Heptanesian urban musical culture; a satisfactory aim [issue 5]

Notes on Nikolaos Halikiopoulos-Mantzaros’ Sinfonia in C major (Greek music archives)

[issue 5]

Three Dances by Amalia Genatà (Greek music archives) [issue 6]

Spyros Samaras’ “Chitarrata” (Rare scores of Greek music) [issue 7]

Stochastic “Jeux” [issue 9]

A passage from Giovanni Battista Martini’s Storia della musica (Rare manuscripts of Greek 

music) [issue 9]

Style and ideology: The Cold War “blend” in Greece (“Transitions”) [issue 12]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (I)

(Rare pages on Greek music) [issue 12]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (II)

(Rare pages on Greek music) [issue 13]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (III)

(Rare pages on Greek music) [issue 14]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (IV)

(Rare pages on Greek music) [issue 15]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (V)

(Rare pages on Greek music) [issue 16]

A cembalo for Nabucco? – Basso continuo improvisation in 19th century opera performances

in Italy and Corfù [issue 17]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (VI)

(Rare pages on Greek music) [issue 17]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (VII –

final) (Rare pages on Greek music) [issue 18]

Markos Tsetsos, Nationalism and populism in Greek music. Political aspects of a cultural

deviation, Sakis Karagiorgas Foundation, Athens 2011 (Book review) [issue 21]

Jim Samson, Music in the Balkans, Brill, Leiden & Boston 2013 (Book review) [issue 24]

Music in Cyprus during the Frankish and Venetian rule (1191-1571) [issue 28]

Merih Erol, Greek Orthodox Music in Ottoman Istanbul. Nation and Community in the Era of

Reform, Indiana University Press, Bloomington (Indiana) 2015 (Book review) [issue 28]

Jim Samson & Nicoletta Demetriou (ed.), Music in Cyprus, Ashgate, Farnham (Surrey) 2015

(Book review) [issue 29]

Valeriy Ismagilov, Russian musical emigration in Greece during Interwar period. Unknown

aspects of the Greek music history, Pelasgos, Athens 2016 (Book review) [issue 32]

Guillaume Du Fay’s “Byzantine motets” [issue 33-34]

Giorgos Sakallieros

Nature, methodology and typology of music analysis. Analytical thought in the second half

of the 20th century [issue 3]

Sequential art-music aspects on the folksong “Ainte koimisou kori mou…” (“Go, sleep my

daughter…”); from Bourgault-Ducoudray to Skalkottas [issue 7]

Katy Romanou (ed.), Serbian and Greek Art Music. A patch to Western Music History,

Intellect Books, Bristol – Chicago 2009 (Book review) [issue 16]

Yannis Constantinidis / Costas Yannidis: The Greek Song within the Creative Course of a

Composer Following Two Artistic Identities [issue 23]

Konstantinos G. Sampanis

The opera performances in Zante from 1835 until the embodiment of the Ionian Islands to

the “Kingdom of Greece” (1864) – I [issue 21]

The opera performances in Zante from 1835 until the embodiment of the Ionian Islands to

the “Kingdom of Greece” (1864) – IΙ [issue 22]

The Opera Performances in Cephalonia from the Establishment of “Solomos” Theatre (1837)

until the First Years of “Cephalos” Theatre and the Annexation of the Ionian Islands to

the “Kingdom of Greece” (1864) – I [issue 23]

The Opera Performances in Cephalonia from the Establishment of “Solomos” Theatre (1837)

until the First Years of “Cephalos” Theatre and the Annexation of the Ionian Islands to

the “Kingdom of Greece” (1864) – ΙΙ [issue 24]

The Opera Performances in Patras during the Era of King Otto (1850-1862) [issue 25]

Jim Samson

Music in crisis: Key terms and concepts [issue 26]

Dimitris Sarris

Museum of Homemade Musical Instruments: From theory to didactic praxis (Presentation)

[issue 15]

Haris Sarris

“This guy has learned to play the lyra at the crossroad!..”. An initiation myth from Crete

[issue 2]

Giannis Zarias, Ornamentation in Greek traditional violin art, Edition Orpheus, Athens 2013

(Book review) [issue 23]

Marianna Sideri

A historical survey of Faust’s legend in opera (Presentation) [issue 21]

The fascinating story of a third gender singers (Presentation) [issue 35]

Anastasia Siopsi

Giorgos Sakallieros, Yannis Konstantinides (1903-1984). Life, work and compositional style,

Thessalonika: University Studio Press, 2010 (Book review) [issue 17]

Stage action in Richard Wagner’s work in relation to his late theories [issue 33-34]

Angeliki Skandali

Musical and theatrical activities of the Mertika family in Smyrna and in Athens (end of 19th

century – beginning of the 20th century) [issue 13]

The teaching of opera singing in the Athens Conservatoire and the Greek Melodrama, 1900-

1939 [issue 14]

Singing classes at the conservatoires established by M. Kalomiris and the cultivation of opera

during the early 20th century (1919-1939) [issue 31]

Vocal teaching at the State Conservatory of Thessaloniki (1914-1940) (Greek music

archives) [issue 35]

Elina Skarpathioti

A Duke and an underdog beyond category: Ellington’s influence on Charles Mingus

(Texts on Jazz) [issue 6]

Markos Skoulios

Oral musical traditions of the Greek area: Issues of theoretical analysis [issue 8]

Eastern Makams and the “Right” Mode Rast [issue 25]

Andriana Soulele

Music in ancient drama. An interview with the composer George Kouroupos (Interview) 

[issue 7]

Maria Sourtzi

Webern analyses Webern: the String Quartet op. 28 (Music analysis) [issue 6]

Structural characteristics of Perotin’s organum quadruplum Sederunt principes (1st part)

(Music analysis) [issue 29]

Ioannis Stavrou

Songs that were taught in the Greek schools in the 19th century [issue 7]

Iakovos Steinhauer

The concept of mimesis in T. W. Adorno [issue 33-34]

Alexandros Stoupakis

The prima and seconda prattica through the works by Claudio Monteverdi [issue 9]

John Svolos

Greek Musical Modernism: Origins and Descendants (Commentary) [issue 14]

Dimitri Sykias

Figure and Affect in Baroque Music [issue 2]

Nestor Taylor

Basic reduplication models in orchestration (Musical practice) [issue 12]

Melodic and harmonic doubling: Consecutive fifths and octaves in traditional orchestration

(Musical practice) [issue 13]

The structural and functional organization of the choir in the vocal works of J. S. Bach

[issue 31]

Harp technique: chords and arpeggios – A guide for composers and orchestrators (Musical

practice) [issue 35]

Irini Theodosopoulou

“Imitation” by musical instruments: Imitating sound of other musical instruments and sounds

of nature. Case-study conclusions; Cretan violin techniques [issue 4]

Catalogue of laographic field-work visits of the Center for Research of Greek Folklore (1950-

1982) (Catalogues of archives) [issue 8]

Maria Theofili

Manos Perrakis (ed.), Life as an Aesthetic Idea of Music, Universal Edition (Studien zur

Wertungsforschung, Bd. 61), Wien – London – New York 2019 (Book review) [issue 35]

Thanasis Trikoupis

Comments on the use of the harmonic interval of semitone, the ultimate conclusive

formations and the term stretto in the whole work for solo piano by Fryderyk Chopin 

[issue 19]

Konstantinos Tsahourides

The production of voice in Pontic singing: an introductory approach (Musical practice)

[issue 11]

Ioannis Tselikas

The incidental music of John Knowles Paine for Oedipus Tyrannus and the Birds (Congress

contribution) [issue 24]

Markos Tsetsos

Musicological Neo-Sophistic. Critical positions on the occasion of the Greek translation of a

book by Nicholas Cook [issue 20]

Validity and dignity of scientific review. A response to Katy Romanou (Commentary) 

[issue 22]

Anastasia Siopsi, Richard Wagner (1813-1883): Essays on the aesthetics of his theory

and work (Book review) [issue 30]

Rainer Maria Rilke, Texts on music (introduction, translation, postscript: Manos Perrakis),

Perispomeni, Athens 2015 (Book review) [issue 32]

Charikleia Tsokani

Tsakisma: a fundamental feature in the form of the Greek folk song [issue 12]

Costas Tsougras

The harmonization of Greek folk songs by M. Ravel and Y. Constantinidis – A comparative

study of the works and their relation to the national music schools [issue 9]

Nikos Skalkottas’ Passacaglia for solo piano: Tradition and innovation in equilibrium [issue 18]

Elements of Greek folk music in Nikos Skalkottas’ May Day Spell. A symbolic mixing of

diatonicism and chromaticism [issue 20]

Nikos Tzioumaris

Music Library of ERT SA: The history of Music Ensembles of Hellenic Broadcasting

Corporation (1938-2010) – Part I (From the foundation until the 1960s)

(Greek music archives) [issue 19]

Music Library of ERT SA: The history of Music Ensembles of Hellenic Broadcasting

Corporation (1938-2010) – Part II (From late 1960s until nowadays)