home pageeditorial boardcurrent issueback issuessearchguidelinescontactελληνικά

Panaghiotis Adam

Thomas Mace’s Musick’s Monument. A 17th century instruction manual [issue 2]

Mode, subject and answer in renaissance polyphony [issue 5]

Minas I. Alexiadis

The forbidden music-theatre: operas and composers in the shadow of Nazism (Congress

contribution) [issue 15]

Nikos Andrikos

The ecclesiastical music production in 20th-century Lesvos: a historical – stylistic approach

(Congress contribution) [issue 18]

Evdoxia Angelidou

Charikleia Tsokani, Medusa’s Cry (Book review) [issue 13]

Dimitrios Balageorgos

Hymnopsaltics of the Holy Week [issue 2]

Maria Barbaki

“Music companies”, wind orchestras in late 19th century Athens [issue 6]

Yannis Belonis

Manolis Kalomiris and Nikos Skalkottas [issue 1]

Manolis Kalomiris and the dark side of the German Occupation and Civil War period [issue 4]

The chamber music until the middle of the 20th century in Greece [issue 11]

Dimitri Mitropoulos’ Lonesome Passage to Modern Music (“Transitions”) [issue 12]

Smaragdi Boura

Abu Naşr Muhammad al-Fārābī and the ancient Greek musical heritage [issue 2]

Nikos Bubaris

Moving Sounds: a study on the circulation of music as a cultural object [issue 15]

Achilleus G. Chaldaeakes

From the ritual of the Matins service: The imposition of poetic texts in Polyeleos Chant  

[issue 11]

Alexandros Charkiolakis

An unknown testimony by Alekos Xenos about Manolis Kalomiris (Documents) [issue 10]

Valia Christopoulou

In remembrance of Yorgos Sicilianos (1920-2005) – with a catalogue of his works 

(In memoriam) [issue 6]

Renata Dalianoudi

Violin – Lute – Guitar as folk instruments in Crete: Tuning – Repertory – Techniques 

(Musical practice) [issue 3]

Myrto Economidou

An unpublished extract from the memoirs of Manolis Kalomiris (Documents) [issue 10]

Ioannis Fulias

Presentation of the journal Musicologia [Musicology] [issue 1]

George Zervos, Nikos Skalkottas and the Early 20th Century European Tradition 

(Book review) [issue 2]

George Zervos, Schönberg, Berg, Webern: The Crisis of Music through the Crisis of Theme 

and Forms (Book review) [issue 2]

Georg Wilhelm Friedrich Hegel, The Aesthetics of Music (Book review) [issue 2]

Charles Ives, Essays Before a Sonata (Book review) [issue 2]

A brief speculation about the principles that rule the chordal progressions (Music education) 

[issue 3]

George Fitsioris: Introduction in Theory and Analysis of Tonal Music (Book review) [issue 5]

“Antis gia Oneiro”: Attempting a restoration and a comprehension of pebbles of the New-

Hellenic Art Music (Presentation) [issue 7]

Sonata forms and their theoretical evolution: The different sonata types – 18th-century 

theorists (I) [issue 8]

Sonata forms and their theoretical evolution: 18th-century theorists (II) [issue 9]

Sonata forms and their theoretical evolution: 18th century theorists (III) [issue 10]

Sonata forms and their theoretical evolution: 19th-century theorists (I) [issue 11]

Sonata forms and their theoretical evolution: 19th-century theorists (II) [issue 12]

Sonata forms and their theoretical evolution: 20th-century theorists (I) [issue 13]

Vassilis Mitropoulos, The technique of melody harmonization (Book review) [issue 13]

Sonata forms and their theoretical evolution: 20th-century theorists (II) [issue 14]

Sonata forms and their theoretical evolution: 20th-century theorists (III) [issue 15]

Sonata forms and their theoretical evolution: Concluding remarks on the first three sonata

types – The contribution of Sonata Theory by Hepokoski and Darcy to the current

scientific debate [issue 16]

Sonata forms and their theoretical evolution: The fourth sonata type (“sonata-rondo”) and

other related forms [issue 17]

Sonata forms and their theoretical evolution: The fifth sonata type (“sonata-concerto

form”) in 18th- and 19th-century theory [issue 18]

Sonata forms and their theoretical evolution: The fifth sonata type (“sonata-concerto

form”) in the 20th-century theory and nowadays [issue 19]

New editions of catalogues of works by Greek composers:

• Maria Ntourou (ed.), Yannis A. Papaioannou: Complete catalogue of works – Third 

edition, Institute of Research on Music & Acoustics – Philippos Nakas, Athens 2010 &

• Valia Christopoulou, Catalogue of the works of Yorgos Sicilianos, Panas Music (Greek 

Musicological Editions, vol. 12), Athens 2011 (Book review) [issue 19]

Αnastasia Georgaki

The metaphysical dimension of the synthetic sung voice in the piece Mortuos Plango – vivos

voco (J. Harvey, 1981) [issue 4]

Nicolae Gheorghiţă

Dionysios Photeinos: The Anastasimatarion [issue 16]

Ilias Giannopoulos

Judit Alsmeier, Komponieren mit Tönen (Book review) [issue 11]

Leontios Hadjileontiadis

The Strychnine Lady (1967) of Jani Christou. Relations, analogies and differentiations with

the European and American Experimental Music Theatre of the decades of 1960 and

1970 [issue 17]

George Hatzinikos

Music in society. Musical education in Greece (Music education) [issue 4]

Anastasia Kakaroglou

Louis-Albert Bourgault-Ducoudray’s “Le carnaval d’Athènes” (Rare editions) [issue 8]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (I)

(Rare pages on Greek music) [issue 12]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (II)

(Rare pages on Greek music) [issue 13]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (III)

(Rare pages on Greek music) [issue 14]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (IV)

(Rare pages on Greek music) [issue 15]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (V)

(Rare pages on Greek music) [issue 16]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (VI)

(Rare pages on Greek music) [issue 17]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (VII –

final) (Rare pages on Greek music) [issue 18]

Stathis Kallianos

The unanswered (?) question or about counterpoint (Music education) [issue 2]

Takis Kalogeropoulos

The “Gold Medals” of Athens Conservatory (Commentary) [issue 2]

Magdalini Kalopana

Dimitris Dragatakis (Homage) [issue 1]

Dimitris Dragatakis: Works’ Catalogue (1914-2001) [issue 16]

Loukia Karakosta

“The poet speaks” through violin’s soundpost. Robert Schumann’s Violin Concerto:

a posthumous work [issue 3]

George Kitsios

Pafsilypon: A German “Temple of the Muses” in the Ottoman Ioannina of 1873 (Greek music

archives) [issue 10]

Κostas Klavvas

For a natural approach of harmony rules (Music education) [issue 2]

Daniel Koglin

Improvisation in Greek folk music. The interplay of music and dance in Thrace [issue 3]

Christos Kolovos

Chronological Catalogue of the Konstantinos Kydoniatis’ works (Greek music archives) 

[issue 4]

Miltiades Caridis; Danzig, 1923 – Athens, 1998. Ten years of absence (In memoriam)

[issue 14]

Lula Mafta-Kalogera (1900-1994); fifteen years from her death (Commentary) [issue 15]

Tassos Kolydas

The change of the guitar’s repertoire in the early twentieth century [issue 9]

Sophia Kompotiati

The ethnomusicologist Béla Bartók and his fieldwork in Turkey. Brief chronicle of a great

mission [issue 4]

Paris Konstantinidis

W. A. Mozart. Fifteen approaches (Book review) [issue 14]

Sofia Kontossi

The transition of Greek art song from the National School to Modernism (“Transitions”)

[issue 12]

George Kontrafouris

Introduction to jazz harmony (Musical practice) [issue 1]

Apostolos Kostios

Music Therapy: Art in the service of science (I) [issue 15]

Dimitri Mitropoulos: The contribution of the man and the artist (a different approach)

[issue 16]

Music Therapy: Art in the service of science (II) [issue 16]

Music Therapy: Art in the service of science (III) [issue 17]

Dimitris E. Lekkas

Byzantine diatonicism: systemic structural approach [issue 8]

Byzantine “soft chroma”: a systemic structural approach [issue 17]

Κaterina Levidou

Two Greek Dances by Nikos Skalkottas [issue 1]

The Rite of Spring and Russian tradition: The quest for “Russianness” [issue 3]

Valérie Dufour, Stravinski et ses exégètes (1910-1940), Editions de l’Université de Bruxelles,

Bruxelles, 2006 (Book review) [issue 18]

Theodore Loustas

Distinguished Greek pianists of the past: analytical discography and concise biographical

information [issue 18]

Nikos Maliaras

Byzantine Musical Instruments [issue 1]

J. S. Bach, The Art of the Fugue [issue 6]

Dionysis Mallouhos

Music critique [issue 2]

Biljana Milanović

Serbian Composers of the First Half of the 20th Century and the Inventing of the Balkans

(“Transitions”) [issue 12]

Melita Milin

The Russian Musical Emigration in Yugoslavia after 1917 [issue 6]

From Communism to Capitalism, via the Wars. The Changing Landscape of Serbian Music

(1985-2005) (“Transitions”) [issue 12]

Robin Minard

Sound Installation Art (Modern artistic tendencies) [issue 13]

Thanassis Moraitis (in collaboration with Demétrios Lekkas)

Modality and polyphony in prehistoric Balkans [issue 5]

Neoklis Neofytidis

Causes and motivations behind Arnold Schoenberg’s arrangements: musical and extramusical

factors [issue 6]

Eirini Nikolaou

Music education in the works of ancient philosophers (Music education) [issue 8]

Panos Panopoulos

Ēchotropia: The detection / displacement of acoustic experience in modern sound art

(Modern artistic tendencies) [issue 13]

Ioannis Papachristopoulos

Developmental stages of Dimitris Terzakis’ composition technique [issue 17]

Aspects of the compositional work of Dimitri Terzakis during the last two decades [issue 19]

George-Julius Papadopoulos

Music as a Performing Art: Reflections on the Metaphysical and Ontological Status of the

Musical Work [issue 9]

Kostas Paparrigopoulos

Xenakis and the Passage towards Universalism (“Transitions”) [issue 12]

Chrysi Parpara

The attack on Manolis Kalomiris’ work in the periodical Mousika Chronika (1925, 1928-33);

issues of Greek music history [issue 10]

Risto Pekka Pennanen

The organological development and performance practice of the Greek bouzouki (Part I)

[issue 14]

The organological development and performance practice of the Greek bouzouki (Part ΙΙ)

[issue 15]

Elissavet Perakaki

The Cross-Curriculum Program of Studies for Music Education (Music education) [issue 3]

Efi Petropoulou

Claude Debussy through his articles and interviews (Presentation) [issue 10]

John Plemmenos

Musical Instruments in Byzantine Hymnography [issue 7]

Nikos Poulakis

Daniel Barenboim – Edward W. Said: Parallels and Paradoxes. Explorations in Music and 

Society (Book review) [issue 10]

Panagiotis Poulos

Listening to innovation: The case of Tanburi Cemil Bey (1873-1916) in modern Turkish music

historiography [issue 7]

Christos Pouris

Chopin and the piano in the 19th century [issue 1]  

Stelios Psaroudakes

Primaeval aerophones and the doubtful evidence from Dispelio [issue 2]

Mando Pyliarou

A Greek tribute to Beethoven in 1927 (Presentation) [issue 19]

Theocharis Raptis

Lullabies and their effect on the infants (Music education) [issue 13]

Anna-Maria Rentzeperi-Tsonou

M. Varvoglis, The Afternoon of Love. Factual elements and shaping of the libretto [issue 5]

Katy Romanou

Guillaume de Machaut, the King of Cyprus and La Prise d’Alixandre [issue 1]

Notes on Konstantinos Psachos’ Pythios Nomos (Greek music archives) [issue 3]

Notes on Εpi ton potamon Vavilonos (Greek music archives) [issue 4]

The comprehension of Heptanesian urban musical culture; a satisfactory aim [issue 5]

Notes on Nikolaos Halikiopoulos-Mantzaros’ Sinfonia in C major (Greek music archives)

[issue 5]

Three Dances by Amalia Genatà (Greek music archives) [issue 6]

Spyros Samaras’ “Chitarrata” (Rare scores of Greek music) [issue 7]

Stochastic “Jeux” [issue 9]

A passage from Giovanni Battista Martini’s Storia della musica (Rare manuscripts of Greek 

music) [issue 9]

Style and ideology: The Cold War “blend” in Greece (“Transitions”) [issue 12]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (I)

(Rare pages on Greek music) [issue 12]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (II)

(Rare pages on Greek music) [issue 13]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (III)

(Rare pages on Greek music) [issue 14]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (IV)

(Rare pages on Greek music) [issue 15]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (V)

(Rare pages on Greek music) [issue 16]

A cembalo for Nabucco? – Basso continuo improvisation in 19th century opera performances

in Italy and Corfù [issue 17]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (VI)

(Rare pages on Greek music) [issue 17]

Extracts from Guillaume André Villoteau’s De l’état actuel de l’art musical en Égypte (VII –

final) (Rare pages on Greek music) [issue 18]

Giorgos Sakallieros

Nature, methodology and typology of music analysis. Analytical thought in the second half

of the 20th century [issue 3]

Sequential art-music aspects on the folksong “Ainte koimisou kori mou…” (“Go, sleep my

daughter…”); from Bourgault-Ducoudray to Skalkottas [issue 7]

Katy Romanou (ed.), Serbian and Greek Art Music. A patch to Western Music History,

Intellect Books, Bristol – Chicago 2009 (Book review) [issue 16]

Dimitris Sarris

Museum of Homemade Musical Instruments: From theory to didactic praxis (Presentation)

[issue 15]

Haris Sarris

“This guy has learned to play the lyra at the crossroad!..”. An initiation myth from Crete

[issue 2]

Anastasia Siopsi

Giorgos Sakallieros, Yannis Konstantinides (1903-1984). Life, work and compositional style,

Thessalonika: University Studio Press, 2010 (Book review) [issue 17]

Angeliki Skandali

Musical and theatrical activities of the Mertika family in Smyrna and in Athens (end of 19th

century – beginning of the 20th century) [issue 13]

The teaching of opera singing in the Athens Conservatoire and the Greek Melodrama, 1900-

1939 [issue 14]

Elina Skarpathioti

A Duke and an underdog beyond category: Ellington’s influence on Charles Mingus

(Texts on Jazz) [issue 6]

Markos Skoulios

Oral musical traditions of the Greek area: Issues of theoretical analysis [issue 8]

Andriana Soulele

Music in ancient drama. An interview with the composer George Kouroupos (Interview) 

[issue 7]

Maria Sourtzi

Webern analyses Webern: the String Quartet op. 28 (Music analysis) [issue 6]

Ioannis Stavrou

Songs that were taught in the Greek schools in the 19th century [issue 7]

Alexandros Stoupakis

The prima and seconda prattica through the works by Claudio Monteverdi [issue 9]

John Svolos

Greek Musical Modernism: Origins and Descendants (Commentary) [issue 14]

Dimitri Sykias

Figure and Affect in Baroque Music [issue 2]

Nestor Taylor

Basic reduplication models in orchestration (Musical practice) [issue 12]

Melodic and harmonic doubling: Consecutive fifths and octaves in traditional orchestration

(Musical practice) [issue 13]

Irini Theodosopoulou

“Imitation” by musical instruments: Imitating sound of other musical instruments and sounds

of nature. Case-study conclusions; Cretan violin techniques [issue 4]

Catalogue of laographic field-work visits of the Center for Research of Greek Folklore (1950-

1982) (Catalogues of archives) [issue 8]

Thanasis Trikoupis

Comments on the use of the harmonic interval of semitone, the ultimate conclusive

formations and the term stretto in the whole work for solo piano by Fryderyk Chopin 

[issue 19]

Konstantinos Tsahourides

The production of voice in Pontic singing: an introductory approach (Musical practice)

[issue 11]

Charikleia Tsokani

Tsakisma: a fundamental feature in the form of the Greek folk song [issue 12]

Costas Tsougras

The harmonization of Greek folk songs by M. Ravel and Y. Constantinidis – A comparative

study of the works and their relation to the national music schools [issue 9]

Nikos Skalkottas’ Passacaglia for solo piano: Tradition and innovation in equilibrium [issue 18]

Nikos Tzioumaris

Music Library of ERT SA: The history of Music Ensembles of Hellenic Broadcasting

Corporation (1938-2010) – Part I (From the foundation until the 1960s)

(Greek music archives) [issue 19]

George Vlastos

Decoding Antigone: Cocteau, Honegger and the avant-garde of the early 20th century 

[issue 10]

The conception as transmission: Greek Antiquity according to Albert Roussel (“Transitions”)

[issue 12]

Music Analysis and Interpretation. Proceedings of the 2nd Congress of Musicology (Book 

review) [issue 12]

Daniel H. Foster, Wagner’s Ring Cycle and the Greeks, Cambridge University Press 

(Cambridge Studies in Opera), Cambridge 2010 (Book review) [issue 19]

Haris Vrontos

Music and consumption (Commentary) [issue 1]

Nina-Maria Wanek

“[…] and should I really exercise my musical profession or even my success in the

cemetery?”. Musical life in Greece, 1933-1949 [issue 8]

Anton Webern

Der Weg zur Komposition in zwölf Tönen (Translation: Maria Sourtzi) [issue 5]

Ion Zottos

Chopin’s Variations opus 2 and Schumann; Mozart and E. T. A. Hoffmann (Congress

contribution) [issue 18]

Announcements

Nikos Skalkottas: A Greek European, Benaki’s Museum – 8 March 2004 [issue 4]

4th Pan-Hellenic Congress of Greek Society for Music Education, Lamia, 1-3 July 2005 

[issue 5]

Pan-Hellenic Symposium on the topic: “Music Theory and Analysis – Methodology and Praxis”

[issue 8]

Scientific Meeting on the occasion of Mozart’s 250th anniversary from his birth [issue 9]

Homage to Olivier Messiaen on the occasion of the 100th anniversary from his birth

[issue 13]

International conference: “Greek music for the opera and other forms of the performing arts

in the 20th century” [issue 13]

Conference “Dimitri Mitropoulos (1896-1960): fifty years after” (Athens Concert Hall,

12-13 November 2010) [issue 16]

International conference: “Revisiting the Past, Recasting the Present: The Reception of

Greek Antiquity in Music, 19th Century to the Present” [issue 16]

International conference: “Revisiting the Past, Recasting the Present: The Reception of

Greek Antiquity in Music, 19th Century to the Present” [issue 18]