Panaghiotis Adam
Thomas Mace’s Musick’s
Monument. A 17th century instruction manual
[issue
2]
Mode, subject and answer in renaissance polyphony
[issue
5]
Theodor W. Adorno
Berg’s Piano Sonata
(Translation: Panos Vlagopoulos)
[issue
36]
Minas I. Alexiadis
The forbidden music-theatre: operas and composers in the shadow of
Nazism (Congress
contribution)
[issue
15]
Nikos Andrikos
The ecclesiastical music production in 20th-century Lesvos: a
historical – stylistic approach
(Congress contribution)
[issue
18]
Evdoxia Angelidou
Charikleia Tsokani, Medusa’s Cry (Book review)
[issue
13]
Thimios Atzakas
Taksim: continuity and transformation.
Historical retrospections, commentaries and
reflections on the makam
“performance-generated” composition (Musical practice)
[issue
31]
Dimitrios Balageorgos
Hymnopsaltics of the Holy Week
[issue
2]
Alexandros Baltzis
Critical theory in the new conditions of cultural production
[issue
33-34]
Maria Barbaki
“Music companies”, wind orchestras in late 19th century Athens
[issue
6]
Rachel Beckles Willson
A project in flux: Tracing lines, heterogeneities, and interactions
[issue
26]
Yannis Belonis
Manolis Kalomiris and Nikos Skalkottas
[issue
1]
Manolis Kalomiris and the dark side of the German Occupation and
Civil War period
[issue
4]
The chamber music until the middle of the 20th century in Greece
[issue
11]
Dimitri Mitropoulos’
Lonesome Passage to Modern Music
(“Transitions”)
[issue
12]
The response of music critics to the Greek operetta during the Greek
inter-war period
[issue
35]
Dionysia Blazaki
Hegel and Schopenhauer: The abstraction in music
[issue
27]
Irena Bogdanović
Greek melodramatic companies and
opera singers in Odessa before the First World War
(1880-1914)
(Sources)
[issue
24]
Smaragdi Boura
Abu Naşr Muhammad al-Fārābī and the ancient Greek musical heritage
[issue
2]
Nikos Bubaris
Moving
Sounds: a study on the circulation of music as a cultural object
[issue
15]
Nefeli Chadouli
Mixed forms of sonata and rondo in
the final movements of selected piano trios by
Mendelssohn (opera 49 and 66) and Spohr
(opus 133)
[issue
32]
Achilleus G. Chaldaeakes
From the ritual of the Matins service: The imposition of poetic
texts in Polyeleos Chant
[issue
11]
Evangelia Chaldaiaki
Orality and literacy in the Ottoman
music: The role of non-Muslim musicians on developing
and using musical notation systems
(Presentation)
[issue
28]
Kostas Chardas
Yorgo
Sicilianos,
On Music,
Benaki Museum,
Hellenic Music Centre, Athens 2011
(Book review)
[issue
20]
Alexandros Charkiolakis
An unknown testimony by Alekos Xenos about Manolis Kalomiris
(Documents)
[issue
10]
Nafsika Chatzichristou
Examination of the Greek classical music and opera audience’s motives
for participation
in live concerts and performances
[issue
29]
Valia Christopoulou
In remembrance of
Yorgos
Sicilianos (1920-2005) – with a catalogue of his works
(In memoriam)
[issue
6]
Modernism and Greek Antiquity in the works of Yorgos Sicilianos
[issue
20]
Renata Dalianoudi
Violin
– Lute – Guitar as folk instruments in Crete: Tuning – Repertory –
Techniques
(Musical practice)
[issue
3]
Alexandros Dionatos
The institutions of music education
in the Italian Baroque. Traditional practices and
innovative foundations: Venetian
Ospedali and Neapolitan Conservatorii
[issue
32]
Nikos A. Dontas
Greek National Opera. From the foundation of the first state-funded
opera company in
Greece until 1974
[issue
24]
Verdi at the Greek National Opera during the Period from 1939 to
2010
[issue
25]
Operas and operettas of Greek composers
at the Greek National Opera. A first approach
[issue
36]
Myrto Economidou
An unpublished extract from the memoirs of Manolis Kalomiris
(Documents)
[issue
10]
George Fitsioris
14th
century:
Ars Nova, the birth of a new art
[issue
33-34]
Eva Fourlanou
The Athens Concert Hall: Bridging art and education
[issue
26]
Ioannis Fulias
Presentation of the journal
Musicologia
[Musicology]
[issue
1]
George Zervos, Nikos Skalkottas and the
Early 20th Century European Tradition
(Book review)
[issue
2]
George Zervos, Schönberg, Berg, Webern:
The Crisis of Music through the Crisis of Theme
and Forms
(Book review)
[issue
2]
Georg Wilhelm Friedrich Hegel, The Aesthetics of Music (Book
review)
[issue
2]
Charles Ives, Essays Before a Sonata (Book review)
[issue
2]
A brief speculation about the principles that rule the chordal
progressions (Music
education)
[issue
3]
George
Fitsioris:
Introduction
in
Theory
and
Analysis
of Tonal Music
(Book review)
[issue
5]
“Antis gia Oneiro”:
Attempting a restoration and a comprehension of pebbles of the New-
Hellenic Art Music (Presentation)
[issue
7]
Sonata forms and their theoretical evolution:
The different sonata types – 18th-century
theorists (I)
[issue
8]
Sonata forms and their theoretical evolution: 18th-century theorists
(II)
[issue
9]
Sonata forms and their theoretical evolution: 18th century theorists
(III)
[issue
10]
Sonata forms and their theoretical evolution: 19th-century theorists
(I)
[issue
11]
Sonata forms and their theoretical evolution: 19th-century theorists
(II)
[issue
12]
Sonata forms and their theoretical evolution: 20th-century theorists
(I)
[issue
13]
Vassilis Mitropoulos, The technique of melody harmonization
(Book review)
[issue
13]
Sonata forms and their theoretical evolution: 20th-century theorists
(II)
[issue
14]
Sonata forms and their theoretical evolution: 20th-century theorists
(III)
[issue
15]
Sonata forms and their theoretical evolution: Concluding remarks on
the first three sonata
types – The contribution of Sonata Theory by Hepokoski and Darcy to
the current
scientific debate
[issue
16]
Sonata forms and their theoretical evolution:
The fourth sonata type (“sonata-rondo”) and
other related forms
[issue
17]
Sonata forms and their theoretical
evolution:
The fifth sonata type (“sonata-concerto
form”) in 18th- and 19th-century theory
[issue
18]
Sonata forms and their theoretical evolution: The fifth
sonata type (“sonata-concerto
form”) in the
20th-century
theory and nowadays
[issue
19]
New
editions of catalogues of works by Greek composers:
• Maria Ntourou (ed.), Yannis A. Papaioannou: Complete catalogue
of works – Third
edition, Institute of Research on Music & Acoustics – Philippos
Nakas, Athens 2010 &
• Valia Christopoulou, Catalogue of the works of Yorgos
Sicilianos, Panas Music (Greek
Musicological Editions, vol. 12), Athens 2011 (Book review)
[issue
19]
The birth and the evolution of a composer: Dimitri Mitropoulos in
1910s
(Congress contribution)
[issue
20]
Kostas Kardamis (ed.),
Spyridon-Filiskos Samaras.
An homage for the 150 years since his
birth,
Corfu Philharmonic Society (Publications of the Music Museum
“Nikolaos
Halikiopoulos
Mantzaros”, Studies 2), Corfu 2011
(Book review)
[issue
20]
The music of Ludwig van Beethoven through Heinrich Birnbach’s first
essays on musical form
(1827-1829)
[issue
21]
Dimitri Mitropoulos and the Greek National School of Music
[issue
23]
The four piano concertos of Xaver Scharwenka.
A contribution to the examination of the
concerto genre during the late romantic period
(Part I)
[issue
29]
The four piano concertos of Xaver
Scharwenka. A contribution to the examination of the
concerto genre during the late romantic period
(Part II)
[issue
30]
Rena Kyriakou’s Concerto for Piano and
Orchestra, opus 18: its history, a first analytical
approach, a critical re-evaluation and
an attempt to place the work among the Greek
art music creation
[issue
31]
Anton Reicha and the first systematisation of music forms in the
19th century
[issue
33-34]
Alain Gedovius
Dimitris Levidis: Gleanings from Le Journal
de ma Vie [The diary of my life]
(Part I)
(Documents)
[issue
28]
Dimitris Levidis: Gleanings from Le Journal
de ma Vie [The diary of my life]
(Part
ÉI)
(Documents)
[issue
29]
Ánastasia Georgaki
The metaphysical dimension of the synthetic sung voice in the piece
Mortuos Plango – vivos
voco
(J. Harvey, 1981)
[issue
4]
Towards a classification of visual
sound in 20th-century art: From color sequence to
interactive visual music
(Presentation) [issue
28]
Sokratis
Georgiadis
Compositional thought and cadential structures in early and middle
Renaissance polyphony:
Fishing in troubled waters
[issue
27]
Nicolae Gheorghiţă
Dionysios Photeinos: The Anastasimatarion
[issue
16]
Ilias Giannopoulos
Judit Alsmeier, Komponieren mit Tönen (Book review)
[issue
11]
Leontios Hadjileontiadis
The Strychnine Lady
(1967) of Jani Christou. Relations, analogies and differentiations
with
the European and American Experimental Music Theatre of the decades
of 1960 and
1970
[issue
17]
Anastasios Hapsoulas
Western art music and Greek music education: Crisis and prospects
[issue
26]
George Hatzinikos
Music in society. Musical education in Greece (Music education)
[issue
4]
Dimitris Kabolis
Arvanitic songs in the public sphere:
Issues of music policy
[issue
22]
Anastasia Kakaroglou
Louis-Albert Bourgault-Ducoudray’s “Le
carnaval d’Athènes” (Rare
editions)
[issue
8]
Extracts from Guillaume André Villoteau’s De l’état actuel de
l’art musical en Égypte (I)
(Rare pages on Greek music)
[issue
12]
Extracts from Guillaume André Villoteau’s De l’état actuel de
l’art musical en Égypte (II)
(Rare pages on Greek music)
[issue
13]
Extracts from Guillaume André Villoteau’s De l’état actuel de l’art
musical en Égypte (III)
(Rare pages on Greek music)
[issue
14]
Extracts from Guillaume André Villoteau’s De l’état actuel de l’art
musical en Égypte
(IV)
(Rare pages on Greek music)
[issue
15]
Extracts from Guillaume André Villoteau’s De l’état actuel de l’art
musical en Égypte
(V)
(Rare pages on Greek music)
[issue
16]
Extracts from Guillaume André Villoteau’s De l’état actuel de l’art
musical en Égypte
(VI)
(Rare pages on Greek music)
[issue
17]
Extracts from Guillaume André Villoteau’s De l’état actuel de
l’art musical en Égypte
(VII –
final) (Rare pages on Greek music)
[issue
18]
Vasileios
Kalagkias
Form and technique in Wolfgang Amadeus Mozart’s independent sets of
variations for
keyboard (Part I)
[issue
27]
Form and technique in Wolfgang Amadeus Mozart’s independent sets of
variations for
keyboard (Part II)
[issue
28]
Alexia Kallergi-Panopoulou
Private conservatories and music schools in Greece: A comparative
study of the principal
institutions of music education during the economic crisis
[issue
26]
Stathis Kallianos
The unanswered (?) question or about counterpoint
(Music
education)
[issue
2]
Vasilis Kallis
Modes of Cross-Scalar Interaction in Twentieth Century Music
[issue
20]
Takis Kalogeropoulos
The “Gold Medals” of Athens Conservatory (Commentary)
[issue
2]
Magdalini Kalopana
Dimitris Dragatakis (Homage)
[issue
1]
Dimitris Dragatakis: Works’ Catalogue (1914-2001)
[issue
16]
The Reception of Greek Antiquity in the Music of Dimitris Dragatakis
[issue
20]
Loukia Karakosta
“The poet speaks” through violin’s
soundpost.
Robert Schumann’s Violin
Concerto:
a posthumous work
[issue
3]
Theodore Karathodoros
Two-way communication between
composer and performer. The contribution of Lykourgos
Angelopoulos to contemporary art music
(Conference contribution)
[issue
30]
Exploring the structural qualities of Legetos in Dimitri Terzakis’
Legetos for two violins
[issue
33-34]
Kostas Kardamis
The folkloric element in the opera
The Parliamentary Candidate by Spiridon Xindas
[issue
22]
Spyridon Xyndas (Spiridione Xinda), Leonidas Alvanas and Some
Thoughts Regarding the Art
Song in Ionian Islands
[issue
23]
Spiros Samaras’ interventions
regarding the musical matters of Greece (1888-1909)
[issue
30]
Katerina Levidou, Katy Romanou, George
Vlastos (ed.),
Musical Receptions of Greek
Antiquity: From the Romantic Era to Modernism (Cambridge:
Cambridge Scholars
Publishing, 2016) (Book review)
[issue
31]
Pavlos Kavouras
Western art music at the time of crisis: An interdisciplinary study
of contemporary Greek
culture and European integration
[issue
26]
George Kitsios
Pafsilypon:
A German
“Temple of the Muses” in the Ottoman Ioannina of 1873 (Greek
music
archives)
[issue
10]
Êostas Klavvas
For a natural approach of harmony rules (Music
education)
[issue
2]
Daniel Koglin
Improvisation in Greek folk music. The interplay of music and dance
in Thrace
[issue
3]
Dimitris Kollintzas
Some thoughts on the correspondence
of Byzantine modes and makams arising from the
case of Doxology in the acem asiran
makam written by Parthenios Mileos in the New
Method
[issue
36]
Christos Kolovos
Chronological Catalogue of the Konstantinos Kydoniatis’ works
(Greek
music archives)
[issue
4]
Miltiades Caridis; Danzig, 1923 –
Athens,
1998. Ten years of absence
(In memoriam)
[issue
14]
Lula Mafta-Kalogera
(1900-1994);
fifteen years from her death (Commentary)
[issue
15]
Tassos Kolydas
The change of the guitar’s repertoire in the early twentieth century
[issue
9]
Sophia Kompotiati
The ethnomusicologist
Béla Bartók
and his fieldwork in Turkey.
Brief chronicle of a great
mission
[issue
4]
Antonis I. Konstantinidis
Arithmetics and mathematics in
accordance with the Theory of Chrisanthos (Conference
contribution)
[issue
30]
“Some
privileged ratio by itself, some privileged perception, and some a
combination of the
two”.
The depiction of
music intervals as a timeless search in the theory of Greek music
(Conference contribution) [issue
33-34]
Paris Konstantinidis
W. A. Mozart.
Fifteen approaches
(Book review)
[issue
14]
Sofia Kontossi
The transition of Greek art song
from the National School to Modernism (“Transitions”)
[issue
12]
Genuinely Greek, inherently
orientalist or a longing cosmopolitan? Exploring Emilios Riadis’
identities through the song cycle for
voice and piano Neuf petites
mélodies roumies
(Conference
contribution) [issue
33-34]
George Kontrafouris
Introduction to jazz harmony (Musical practice)
[issue
1]
Apostolos Kostios
Music
Therapy: Art in the service of science (I)
[issue
15]
Dimitri Mitropoulos: The contribution of the man and the artist (a
different approach)
[issue
16]
Music Therapy: Art in the service of science (II)
[issue
16]
Music Therapy: Art in the service of science (III)
[issue
17]
Dimitris Kotronakis
Guitarists and composers for guitar in
the 19th and 20th centuries, in the Greek world and
the Diaspora: Known and unknown aspects
of guitaristic art and literature
(Presentation)
[issue
36]
Dimitris E. Lekkas
Byzantine diatonicism: systemic structural approach
[issue
8]
Byzantine “soft chroma”: a systemic structural approach
[issue
17]
George Leotsakos
Dimitris Levidis: Gleanings from Le Journal
de ma Vie [The diary of my life]
(Part I)
(Documents)
[issue
28]
Dimitris Levidis: Gleanings from Le Journal
de ma Vie [The diary of my life]
(Part
ÉI)
(Documents)
[issue
29]
Irmgard Lerch-Kalavrytinos
Humour, irony and satire in medieval music
[issue
33-34]
Êaterina Levidou
Two Greek Dances by Nikos Skalkottas
[issue
1]
The
Rite of Spring and
Russian tradition: The quest for “Russianness”
[issue
3]
Valérie Dufour, Stravinski et ses exégètes (1910-1940),
Editions de l’Université de Bruxelles,
Bruxelles, 2006
(Book review)
[issue
18]
Surviving the crisis: Summer festivals of Western art music in
contemporary Greece
[issue
26]
Festivals in Greece with Western art music, since 2008 (an
indicative catalogue)
[issue
26]
Theodore Loustas
Distinguished Greek pianists of the past: analytical
discography and concise biographical
information
[issue
18]
Nikolaos Maliaras
Byzantine Musical Instruments
[issue
1]
J. S. Bach, The Art of the
Fugue
[issue
6]
Yannis Belonis, Chamber
music
in Greece in the first half of the 20th century. The case of
Marios Varvoglis (1885-1967),
Hellenic Music
Centre, Athens 2012 (Book review)
[issue
21]
Theophrastos Sakellaridis, Perouzé. The revival of an opera
[issue
33-34]
Dionyssis Mallouhos
Music critique
[issue
2]
Classical music in Kalamata at the time of the economic crisis
[issue
26]
Katerina
Maniou
The relationship of Alfred Schnittke to serialism and its
application during the
post-experimental phases of his work
[issue
27]
Motif and contemporary musical
borrowing material as a means of a new form of thematicism
in Alfred Schnittke’s work
[issue
35]
Giorgos Manouselis
The Ergon at work: Mapping changes in
the political economy of Western art music through
the case study of the Ergon Ensemble
[issue
26]
Veroniki Mavriki
The presence of harmonica in Istanbul, Izmir and in Greece:
Organological and terminological
issues
(Presentation)
[issue
22]
Konstantinos Mavrogenis
The Mass
super Aller mi faut la verdure of Franghiskos Leondaritis – A
“Parody Mass” on
two Polyphonic Models
[issue
25]
Biljana Milanović
Serbian Composers of the First Half of the 20th Century and the
Inventing of the Balkans
(“Transitions”)
[issue
12]
Melita Milin
The Russian Musical Emigration in Yugoslavia after 1917
[issue
6]
From Communism to Capitalism, via the Wars.
The Changing Landscape of Serbian Music
(1985-2005)
(“Transitions”)
[issue
12]
Robin Minard
Sound Installation Art (Modern
artistic tendencies)
[issue
13]
Thanassis Moraitis
(in
collaboration with Demétrios
Lekkas)
Modality and polyphony in prehistoric Balkans
[issue
5]
Neoklis Neofytidis
Causes and motivations behind Arnold Schoenberg’s arrangements:
musical and extramusical
factors
[issue
6]
Zafiris Nikitas
Interartistic osmosis: Theatre and
music in the 1960s
[issue
36]
Eirini Nikolaou
Music education in the works of ancient philosophers (Music
education)
[issue
8]
The harmonies
of earlier periods of time in Aristides
Quintilianus’ treatise On music
(Presentation)
[issue
28]
Apostolos Palios
15 Little Variations for piano solo:
Violinist Nikos Skalkottas as an interpretative guide of his
own work (Musical
practice)
[issue
36]
Panos Panopoulos
Ēchotropia: The detection / displacement of acoustic experience in
modern sound art
(Modern
artistic tendencies)
[issue
13]
Ioannis Papachristopoulos
Developmental stages of Dimitris Terzakis’ composition technique
[issue
17]
Aspects of the compositional work of Dimitri Terzakis during the
last two decades
[issue
19]
George-Julius
Papadopoulos
Music as a Performing Art: Reflections on the Metaphysical and
Ontological Status of the
Musical Work
[issue
9]
Kostas Paparrigopoulos
Xenakis and the Passage towards Universalism (“Transitions”)
[issue
12]
Chrysi Parpara
The attack on Manolis Kalomiris’ work in the periodical
Mousika Chronika (1925, 1928-33);
issues of Greek music history
[issue
10]
Risto Pekka Pennanen
The organological development and performance practice of the Greek
bouzouki
(Part
I)
[issue
14]
The organological development and performance practice of the Greek
bouzouki (Part
ÉÉ)
[issue
15]
Vesna Sara Peno
The modern Serbian psaltic practice in the light of the
post-Byzantine psaltic tradition
[issue
21]
Elissavet
Perakaki
The Cross-Curriculum Program of Studies for Music Education (Music
education)
[issue
3]
Efi Petropoulou
Claude Debussy through his articles and interviews (Presentation)
[issue
10]
John Plemmenos
Musical Instruments in Byzantine Hymnography
[issue
7]
Nick
Poulakis
Daniel Barenboim
– Edward W. Said:
Parallels and Paradoxes.
Explorations in Music and
Society
(Book review)
[issue
10]
Eleni Kallimopoulou
and
Alexandra Balandina (ed.),
Introduction to Ethnomusicology, Assini,
Athens 2014
(Book review)
[issue
24]
Institutions in crisis? Music ensembles
and cultural organisations in 21st-century Greece
[issue
26]
Panagiotis Poulos
Listening to innovation: The case of Tanburi Cemil Bey (1873-1916)
in modern Turkish music
historiography
[issue
7]
Christos Pouris
Chopin and the piano in the 19th century
[issue
1]
Stelios Psaroudakes
Primaeval
aerophones and the doubtful evidence from Dispelio
[issue
2]
Walter Puchner
Greek melodramatic companies and
opera singers in Odessa before the First World War
(1880-1914)
(Sources)
[issue
24]
Mando Pyliarou
A Greek tribute to Beethoven in 1927
(Presentation)
[issue
19]
Solon Raptakis
The Piano Sonata in Early Romanticism: A Comparative Study of First
Movements from
Piano Sonatas of the 1820s
[issue
25]
The Fifth Piano Sonata of Alexander Scriabin: A dialogue with sonata
forms
[issue
27]
Theocharis Raptis
Lullabies and their effect on the infants (Music education)
[issue
13]
Anna-Maria Rentzeperi-Tsonou
M. Varvoglis, The Afternoon
of Love. Factual elements and shaping of the libretto
[issue
5]
Katy Romanou
Guillaume de Machaut, the King of Cyprus and
La Prise d’Alixandre
[issue
1]
Notes on Konstantinos Psachos’
Pythios Nomos
(Greek
music archives)
[issue
3]
Notes on
Åpi
ton potamon Vavilonos
(Greek
music archives)
[issue
4]
The comprehension of Heptanesian urban musical culture; a
satisfactory aim
[issue
5]
Notes
on
Nikolaos
Halikiopoulos-Mantzaros’
Sinfonia
in
C
major
(Greek
music archives)
[issue
5]
Three Dances by Amalia Genatà
(Greek
music archives)
[issue
6]
Spyros Samaras’ “Chitarrata”
(Rare
scores of Greek music)
[issue
7]
Stochastic “Jeux”
[issue
9]
A passage from
Giovanni Battista Martini’s Storia della musica (Rare
manuscripts of Greek
music)
[issue
9]
Style and ideology: The Cold War “blend” in Greece (“Transitions”)
[issue
12]
Extracts from Guillaume André Villoteau’s De l’état actuel de
l’art musical en Égypte (I)
(Rare pages on Greek music)
[issue
12]
Extracts from Guillaume André Villoteau’s De l’état actuel de
l’art musical en Égypte (II)
(Rare pages on Greek music)
[issue
13]
Extracts from Guillaume André Villoteau’s De l’état actuel de l’art
musical en Égypte (III)
(Rare pages on Greek music)
[issue
14]
Extracts from Guillaume André Villoteau’s De l’état actuel de l’art
musical en Égypte
(IV)
(Rare pages on Greek music)
[issue
15]
Extracts from Guillaume André Villoteau’s De l’état actuel de l’art
musical en Égypte
(V)
(Rare pages on Greek music)
[issue
16]
A cembalo for Nabucco?
– Basso continuo improvisation in 19th century opera performances
in Italy and Corfù
[issue
17]
Extracts from Guillaume André Villoteau’s De l’état actuel de l’art
musical en Égypte
(VI)
(Rare pages on Greek music)
[issue
17]
Extracts from Guillaume André Villoteau’s De l’état actuel de
l’art musical en Égypte
(VII –
final) (Rare pages on Greek music)
[issue
18]
Markos Tsetsos, Nationalism and
populism
in Greek music.
Political aspects of a cultural
deviation,
Sakis
Karagiorgas Foundation, Athens 2011 (Book review)
[issue
21]
Jim Samson, Music in the
Balkans, Brill, Leiden & Boston 2013 (Book review)
[issue
24]
Music in Cyprus during the Frankish and Venetian rule (1191-1571)
[issue
28]
Merih Erol, Greek Orthodox Music in Ottoman
Istanbul. Nation and Community in the Era of
Reform, Indiana University Press, Bloomington
(Indiana) 2015
(Book review)
[issue
28]
Jim Samson & Nicoletta Demetriou (ed.),
Music in Cyprus,
Ashgate, Farnham (Surrey) 2015
(Book review)
[issue
29]
Valeriy Ismagilov,
Russian musical emigration in Greece during Interwar period.
Unknown
aspects of the Greek music history,
Pelasgos, Athens 2016
(Book review)
[issue
32]
Guillaume Du Fay’s “Byzantine motets”
[issue
33-34]
Giorgos Sakallieros
Nature, methodology and typology of music analysis. Analytical
thought in the second half
of the 20th century
[issue
3]
Sequential art-music aspects on the folksong “Ainte
koimisou kori mou…”
(“Go,
sleep my
daughter…”);
from Bourgault-Ducoudray to Skalkottas
[issue
7]
Katy Romanou (ed.), Serbian and Greek Art Music. A patch to
Western Music History,
Intellect Books, Bristol – Chicago 2009 (Book review)
[issue
16]
Yannis Constantinidis / Costas Yannidis: The Greek Song within the Creative Course of a
Composer Following Two Artistic Identities
[issue
23]
Konstantinos G. Sampanis
The opera performances in Zante from 1835 until the embodiment of
the Ionian Islands to
the “Kingdom of Greece” (1864) – I
[issue
21]
The opera
performances in Zante from 1835 until the embodiment of the Ionian
Islands to
the “Kingdom of
Greece” (1864) – IÉ
[issue
22]
The Opera Performances in Cephalonia from the Establishment of
“Solomos” Theatre (1837)
until the First Years of “Cephalos” Theatre and the Annexation of
the Ionian Islands to
the “Kingdom of Greece” (1864)
– I
[issue
23]
The Opera Performances in Cephalonia from the Establishment of
“Solomos” Theatre (1837)
until the First Years of “Cephalos” Theatre and the Annexation of
the Ionian Islands to
the “Kingdom of Greece” (1864) – ÉÉ
[issue
24]
The Opera Performances in Patras during the Era of King Otto
(1850-1862)
[issue
25]
Jim Samson
Music in crisis: Key terms and concepts
[issue
26]
Dimitris Sarris
Museum of Homemade Musical Instruments: From theory to didactic
praxis (Presentation)
[issue
15]
Haris Sarris
“This guy has learned to play the lyra at the crossroad!..”. An
initiation myth from Crete
[issue
2]
Giannis Zarias,
Ornamentation in Greek traditional violin art, Edition Orpheus, Athens
2013
(Book review) [issue
23]
Marianna Sideri
A historical survey of Faust’s legend in opera
(Presentation)
[issue
21]
The fascinating story of a third
gender singers (Presentation)
[issue
35]
Anastasia Siopsi
Giorgos
Sakallieros,
Yannis Konstantinides (1903-1984). Life, work and compositional
style,
Thessalonika:
University Studio
Press, 2010
(Book review) [issue
17]
Stage action in Richard Wagner’s work in relation to his late
theories
[issue
33-34]
Angeliki Skandali
Musical and theatrical activities of the Mertika family in Smyrna
and in Athens (end of 19th
century – beginning of the 20th century)
[issue
13]
The teaching of opera singing in the Athens Conservatoire and the
Greek Melodrama,
1900-
1939
[issue
14]
Singing classes at the conservatoires
established by M. Kalomiris and the cultivation of opera
during the early 20th century
(1919-1939)
[issue
31]
Vocal teaching at the State
Conservatory of Thessaloniki (1914-1940) (Greek music
archives)
[issue
35]
Elina Skarpathioti
A Duke and an underdog beyond category: Ellington’s influence on
Charles Mingus
(Texts on Jazz)
[issue
6]
Markos Skoulios
Oral musical traditions of the Greek area: Issues of theoretical
analysis
[issue
8]
Eastern Makams and the “Right” Mode
Rast
[issue
25]
Andriana Soulele
Music in ancient drama. An interview with the composer George
Kouroupos (Interview)
[issue
7]
Maria
Sourtzi
Webern
analyses
Webern:
the
String Quartet
op. 28 (Music analysis)
[issue
6]
Structural characteristics of
Perotin’s organum quadruplum Sederunt principes (1st part)
(Music analysis)
[issue
29]
Ioannis Stavrou
Songs that were taught in the Greek schools in the 19th century
[issue
7]
Iakovos Steinhauer
The concept of mimesis in T. W. Adorno
[issue
33-34]
Alexandros Stoupakis
The prima and seconda prattica through the works by Claudio
Monteverdi
[issue
9]
John Svolos
Greek Musical Modernism: Origins and Descendants (Commentary)
[issue
14]
Dimitri Sykias
Figure and Affect in Baroque Music
[issue
2]
Nestor Taylor
Basic reduplication models in orchestration (Musical practice)
[issue
12]
Melodic and harmonic doubling: Consecutive fifths and octaves in
traditional orchestration
(Musical practice)
[issue
13]
The structural and functional
organization of the choir in the vocal works of J. S. Bach
[issue
31]
Harp technique: chords and arpeggios –
A guide for composers and orchestrators (Musical
practice)
[issue
35]
Irini Theodosopoulou
“Imitation” by musical instruments: Imitating sound of other musical
instruments and sounds
of nature. Case-study conclusions; Cretan violin techniques
[issue
4]
Catalogue of laographic field-work visits of the Center for Research
of Greek Folklore (1950-
1982) (Catalogues
of archives)
[issue
8]
Maria Theofili
Manos Perrakis
(ed.),
Life as an Aesthetic Idea of Music,
Universal Edition
(Studien
zur
Wertungsforschung,
Bd. 61), Wien –
London – New York
2019 (Book review)
[issue
35]
Thanasis Trikoupis
Comments
on the use of the harmonic interval of semitone, the ultimate
conclusive
formations
and the term stretto in
the whole work for solo piano by Fryderyk Chopin
[issue
19]
Konstantinos Tsahourides
The production of voice in Pontic singing: an introductory approach
(Musical practice)
[issue
11]
Ioannis Tselikas
The incidental music of John Knowles Paine for
Oedipus Tyrannus and the
Birds
(Congress
contribution)
[issue
24]
Markos Tsetsos
Musicological Neo-Sophistic. Critical positions on the occasion of
the Greek translation of a
book by Nicholas Cook
[issue
20]
Validity and dignity of scientific review. A response to Katy
Romanou (Commentary)
[issue
22]
Anastasia Siopsi,
Richard Wagner (1813-1883): Essays on the
aesthetics of his theory
and work
(Book review)
[issue
30]
Rainer Maria Rilke,
Texts on music (introduction, translation, postscript: Manos
Perrakis),
Perispomeni, Athens 2015
(Book review)
[issue
32]
Charikleia Tsokani
Tsakisma: a fundamental feature in the form of the Greek folk song
[issue
12]
Costas Tsougras
The harmonization of Greek folk songs by M. Ravel and Y.
Constantinidis – A comparative
study of the works and their relation to the national music schools
[issue
9]
Nikos Skalkottas’ Passacaglia for solo piano: Tradition and innovation in equilibrium
[issue
18]
Elements of Greek folk music in Nikos Skalkottas’ May Day Spell. A symbolic mixing of
diatonicism and chromaticism
[issue
20]
Nikos Tzioumaris
Music Library of ERT SA: The history of Music Ensembles of Hellenic
Broadcasting
Corporation (1938-2010) – Part I (From the foundation until the
1960s)
(Greek music archives)
[issue
19]
Music Library of ERT SA: The history of Music Ensembles of Hellenic
Broadcasting
Corporation (1938-2010) – Part II (From late 1960s until nowadays)
(Greek music archives)
[issue
20]
Georgia Vavva
Western art music in the “community”: The case of the Music Village
[issue
26]
Festivals in Greece with Western art music, since 2008 (an
indicative catalogue)
[issue
26]
Panos Vlagopoulos
The wealth of descriptions or
Wittgenstein and Adorno on music: Essay before an analysis
[issue
36]
George Vlastos
Decoding
Antigone: Cocteau,
Honegger and the avant-garde of the early 20th century
[issue
10]
The conception as transmission: Greek Antiquity according to Albert
Roussel (“Transitions”)
[issue
12]
Music Analysis and
Interpretation.
Proceedings of the 2nd Congress of Musicology (Book
review)
[issue
12]
Daniel H. Foster, Wagner’s Ring Cycle and the
Greeks, Cambridge University Press
(Cambridge Studies in Opera), Cambridge 2010
(Book
review)
[issue
19]
Petros Vouvaris
Performance as Composition, Composition as Performance: Perpetual
Variations on a Theme
by Yannis Constantinidis [issue
23]
Haris Vrontos
Music and consumption (Commentary)
[issue
1]
Nina-Maria Wanek
“[…]
and should I really exercise my musical profession or even my
success in the
cemetery?”.
Musical life in Greece, 1933-1949
[issue
8]
Anton Webern
Der Weg zur Komposition in zwölf Tönen
(Translation:
Maria Sourtzi)
[issue
5]
Demetre Yannou
Giorgos Sakallieros, Dimitri
Mitropoulos and his Works in the 1920s – The Introduction of
Musical Modernism in Greece
(Athens: Hellenic Music Centre, 2016)
(Book
review)
[issue
31]
Ion Zottos
Chopin’s
Variations opus 2 and
Schumann; Mozart and E. T. A. Hoffmann
(Congress
contribution)
[issue
18]
Announcements
Nikos Skalkottas: A Greek European, Benaki’s Museum – 8 March 2004
[issue
4]
4th
Pan-Hellenic
Congress
of
Greek
Society
for
Music
Education,
Lamia, 1-3
July
2005
[issue
5]
Pan-Hellenic Symposium on the topic: “Music Theory and Analysis –
Methodology and Praxis”
[issue
8]
Scientific Meeting on the occasion of Mozart’s 250th anniversary
from his birth [issue
9]
Homage to Olivier Messiaen on the occasion of the 100th anniversary
from his birth
[issue
13]
International conference:
“Greek music for the opera and other forms of the performing arts
in the 20th century” [issue
13]
Conference
“Dimitri
Mitropoulos (1896-1960): fifty years after” (Athens Concert Hall,
12-13 November 2010)
[issue
16]
International conference:
“Revisiting
the Past, Recasting the Present: The Reception of
Greek Antiquity in Music, 19th Century to the Present”
[issue
16]
International conference:
“Revisiting
the Past, Recasting the Present: The Reception of
Greek Antiquity in Music, 19th Century to the Present”
[issue
18]
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