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biographical
notes
Ioannis Fulias
Assistant professor in “Systematic Musicology. Music Theory (18th-19th
centuries)” in the Department of Music Studies at the National and
Kapodistrian University of Athens
(personal website:
http://users.uoa.gr/~foulias).
He was born in Athens in 1976. He studied music at the Municipal
Conservatory of Kalamata (degrees in Harmony, Counterpoint, Fugue, and
Piano, 1994-1998) and musicology in the Department of Music Studies at
the National and Kapodistrian University of Athens (bachelor in 1999,
and Ph.D. in 2005, with a dissertation on Slow movements in sonata
forms in the classic era). He is a member of the Editorial Board
and the Advisory Board of both the journals Polyphonia and
Musicologia, as well as
founder member and Secretary
General of the Hellenic Musicological Society.
He has participated
in the Greek RIPM group, in scientific meetings and international
conferences. He has also published several articles, as well as Greek
translations of books
(by R. Wagner, C. Floros and N. Cook) and shorter studies. His own
books, entitled The two piano sonatas of Dimitri Mitropoulos: From
late romanticism to National School of Music (2011) and The
symphonies of Carl Ditters von Dittersdorf on Ovid’s Metamorphoses:
A contribution to the restoration of a milestone in the history of
programme music (2015), have been published by “Panas Music”. His
research interests fall into the following fields: theory of music
forms (from 18th to 21st centuries), the evolution of instrumental
music genres and forms in the baroque, classic and romantic era, music
analysis and form.
Theodore Karathodoros
He
was
born in Thessaloniki. He works as a composer and musicologist. He
received his PhD in Musicology from the Department of Music Studies
at the National and Kapodistrian University of Athens. His thesis is
entitled The effects of characteristic Byzantine music idioms on
contemporary Greek art music. A case study: Michael Adamis, Dimitri
Terzakis. Also, he graduated with honours from the Department of
Music Science and Art at the University of Macedonia in
Thessaloniki. He studied composition with Athanasios Zervas and
Michael Adamis, while attending seminars of world-renowned
composers, such as Eric Honour, Gustavo Leone, Ilya Levinson,
Stephen Syverud, Theodore Antoniou, Dinos Constantinides and others.
Theodore Karathodoros holds a degree in Harmony and Music Theory, as
well as a diploma in Byzantine Music and a diploma in Piano
performance with honours. He has
participated in various musicological
conferences, while
many of his compositions
have been performed both locally and abroad by distinguished soloists
and prestigious ensembles, such as the Athens Saxophone Quartet, Rex
Richardson, Iwona Glinka, Leo Saguiguit and others. He was a
scientific associate of the Great
Orthodox Christian Encyclopaedia, where he contributed with
various entries on Byzantine music. Since 2008, he has been the
Cultural Affairs Officer of the Nea Anchialos Society of Athens. He
teaches piano at the Music School of Volos.
Kostas Kardamis
Kostas Kardamis (kardamis@ionio.gr)
is a musicologist currently serving as Assistant Professor in the
Music Department at the Ionian University (Corfu). He has
collaborated with the Oxford University Press, the Megaron Athens
Concert Hall,
the Greek Composers Union,
the Cultural Foundation of the Piraeus Bank Group and the Durrell
School of Corfu. His published studies, papers and articles mainly
concern Neohellenic music, with particular focus on 18th and 19th
centuries, as well as opera and musical theatre. His research
interests also include band music and the interaction of music,
society and politics. He is a member of the Hellenic Music Research
Lab,
the Greek committee for RILM,
the editorial committees of the musicological journals Moussikos
Loghos and Moussikos Ellenomnemon. He is also the General
Editor of the series
“Monuments
of Neohellenic Music”.
Since 2003, he has been the curator of the Archive and the Museum of
the Corfu Philharmonic Society.
Antonis I. Konstantinidis
Dr. Antonis I. Konstantinidis
is a
music
teacher at the Music School of Thessaloniki (since 2002) and a music
critic. He was born in Kavala in 1972. He studied in the Departments
of Mathematics (B.Sc., 1994) and the Department of Music Studies
(B.A., 1999) at the Aristotle University of Thessaloniki. He has
obtained a Doctorate Degree (Ph.D.)
in Musicology from the Department of Music Studies at the National
and Kapodistrian University of Athens under the supervision of Prof.
Gregorios Stathis. His research focused on the musicological study
and mathematical proof of the micro-intervals in the theory of Greek
music. He also studied Harmony, Counterpoint and Fugue at the
Macedonian Conservatory of Thessaloniki and obtained a Diploma
Degree in Byzantine Music, after being a student of Archon
Protopsaltes Charilaos Taliadoros.
For five years, he had been teaching Byzantine Music at the Department
of Music Studies and the Department of Theology at the Aristotle
University of Thessaloniki. He has participated in many congresses,
seminars, presentations and lectures and he has published numerous
papers in scientific reviews in Greece. As a music critic, he has been
writing for the newspaper Makedonia tis Kyriakis on a weekly
basis since 2000. Until today, he has written hundreds of papers and
music critic notes for music concerts, opera performances, music
recordings and other stage productions. He has also written
introductory texts for various music events and organizations and has
been a member of several judging committees of music competitions. In
2003, he has been elected as a member of the Association of Greek
Music and Theatre Critics.
Markos Tsetsos
Markos Tsetsos is Professor of Music Aesthetics at the National and
Kapodistrian University of Athens, Department of Music Studies. He
holds a PhD degree in musicology from the University of Athens
(1999) and a MA degree in orchestra conducting from the State
Conservatoire “Rimsky-Korsakov” of St. Petersburg, Russia (1993). He
is member of the scientific board of the journals Mousikologia
and Axiologika, member of the International Helmuth Plessner
Gesellschaft, founding member of the Greek Musicological Society,
collaborator of the State Scholarship Foundation. Main publications
(books): Music in Modern Philosophy (2012); Nationalism
and Populism in Greek Music (2011); Will and Sound. The
Metaphysics of Music in Schopenhauer’s Philosophy (2004);
Elements and Environments of Music. A Philosophical Introduction in
Musicology (2012); Greek Music. Essays of Ideological and
Institutional Critique (2013); Basic Methods of Orchestration
(2006); Hegel’s Aesthetics of Music (annotated translation,
2002); Hanslick’s On the Musically Beautiful (annotated
translation, 2003).
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